I was 22 and we were eating at my grandfather’s. I knew he had a camera when he was younger, so I asked him “Do you still have it?” After his “Do not break it” speech he told me where to find it. I ran immediately upstairs to what used to be my father’s room, […]
Tag: Konica
5 Frames… Around NYC’s Lower East Side on CineStill BwXX with the Konica C35MFD (35mm format / EI 250 / Hexanon 38mm f/2.8)
Last December, I was fortunate enough to take a solo trip to New York City after my semester finished up. I settled on staying in the Lower East Side, where I could easily walk to museums and other unique spaces without breaking a sweat. As a Canadian visiting NYC, I very much wanted to blend […]
5 Frames… Starting with a walk through Brooklyn on Kodak Tri-X 400 and a Konica Autoreflex T3 (35mm Format / EI 400 / Konica Hexanon AR 50mm f/1.7)
I looked up to the man biking down the hill. As I waited for him to come down, I stood behind a row of parked cars waiting, camera in hand, finger on the shutter release. He came nearer. I put my eye to the viewfinder, lined up the shot, and… nothing. The button was locked; […]
5 Frames… Around Virginia Beach on Kodak Portra 400 (Konica Hexar RF + Voigtlander Ultron 35mm f/2 MC Aspherical Type II)
“Are you taking pictures of me?” he asked somewhat curiously, somewhat annoyed. I was. He spontaneously struck a pose, I quickly took the shot. “They stole one of my guitars,” he candidly shared. “It’s okay: I have two more, motherf*ckers!” I lamented the unfortunate turn of events. Seemingly unfazed, he replied, “I only need one […]
5 Frames… Around Norwich’s Wensum river on Silberra Color 100 (35mm Format / El 100 / Konica Auto S3 With Hexanon 38mm f/1.8)
I’ve been collecting vintage lenses and film cameras now for the past year or so. Not that I’ve never shot film before, I got my first 35mm camera back in the late 1990s (a Centon 100 kit) — I couldn’t afford the more popular brands at the time. After that, my love for photography grew […]
5 Frames… With the half-time-half-frame Konica Auto-Reflex (Fujifilm NEOPAN 400 / 35mm Format / EI 400)
According to Cameraquest, The Konica Auto-reflex is a full- and half-frame 35mm SLR camera made in 1966. It was the world’s first focal plane shutter 35mm SLR with automatic exposure and interchangeable lenses… Johnny Sisson brought it to my attention, and after a search in one of the Facebook camera groups, I was offered one for sale by a […]
The best (and worst) film cameras of the 1990s
My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…
5 Frames… With Kodak Portra 400 (EI 400 / 35mm format / Konica Hexar RF)
These photos were shot on my last trip to Japan during the cherry blossom season. Japan held a special place in my heart and I have always wanted to capture its beauty on film, especially since acquiring the Konica Hexar RF months ago in mint condition. Previously I have shot Kodak Portra 400 alongside with […]
Choosing a 35mm film SLR? A quick look at six (vintage?) film camera manufacturers…
Since the publication of my original book, “Nikon Film Cameras, Which one is right for you?”, I’ve acquired a number of additional cameras and lenses which I describe and evaluate from personal experience in the newly released second edition, which recently went live on Amazon. In addition to the extra hardware, I tracked the prices […]
Compact camera mega test: The Konica Big Mini’s transparent ambitions
Imagine the scene: one night in Tokyo, some Konica employees are drinking in a hostess bar. One of them looks through the bottom of his glass and has a brainwave. ‘Hey!’, he exclaims, ‘Let’s make a camera with a clear lens cover!’
EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
5 Frames… With Fuji Superia 400 (EI / 35mm format / Konica Waiwai)
At first, I didn’t get the hype but I really respect Dan Ko’s opinion when he said he would buy any Konica Waiwai at the silliest price he could find.
Photography: Look to the skies – Shot on Konica Pan 100 at EI 100 (120 format)
Look to the skies
Shot on Konica Pan 100 at EI 100.
Black and white negative film in 120 format shot as 6×6.
Photography: Whassatden? – Shot on Konica Pan 100 at EI 100 (120 format)
Whassatden?
Shot on Konica Pan 100 at EI 100
Black and white negative film in 120 format shot as 6×6
Photography: Get a grip – Shot on Konica Pan 100 at EI 100 (120 format)
Get a grip
Shot on Konica Pan 100 at EI 100
Black and white negative film in 120 format shot as 6×6
EMULSIVE interview #167: I am Mike Janik and this is why I shoot film
Today’s interviewee should need no introduction but he gets one anyway.
Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)
Vandalartists
Shot on Konica Infrared 750 at EI 8
Black and white infrared film in 120 format shot as 6×6
R72 filter
Photography: Tones – Konica Infrared 750 (120)
Tones
Shot on Konica Infrared 750 at EI 8
Black and white infrared film shot as 6×6
Red #25 filter
Photography: That way – Konica Color Pro 100 shot at EI 100 (35mm format)
That way
Konica Color Pro 100 shot at EI 100
Color negative film in 35mm format
That wayKonica Color Pro 100 shot at EI 100.Color negative film in 35mm format.