Konica


5 Frames… With the half-time-half-frame Konica Auto-Reflex (Fujifilm NEOPAN 400 / 35mm Format / EI 400) – by Anil Mistry

According to Cameraquest, The Konica Auto-reflex is a full- and half-frame 35mm SLR camera made in 1966. It was the world’s first focal plane shutter 35mm …

Read more5 Frames… With the half-time-half-frame Konica Auto-Reflex (Fujifilm NEOPAN 400 / 35mm Format / EI 400) – by Anil Mistry

The best (and worst) film cameras of the 1990s

The best (and worst) film cameras of the 1990s

My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…

#5FramesWith... Kodak Portra 400 (35mm / EI 400 / Konica Hexar RF) - by Trinh Le

5 Frames… With Kodak Portra 400 (EI 400 / 35mm format / Konica Hexar RF) – by Trinh Le

These photos were shot on my last trip to Japan during the cherry blossom season. Japan held a special place in my heart and I …

Read more5 Frames… With Kodak Portra 400 (EI 400 / 35mm format / Konica Hexar RF) – by Trinh Le

Choosing a 35mm film SLR: A quick look at six vintage film camera manufacturers

Choosing a 35mm film SLR? A quick look at six (vintage?) film camera manufacturers…

Since the publication of my original book, “Nikon Film Cameras, Which one is right for you?“, I’ve acquired a number of additional cameras and lenses …

Read moreChoosing a 35mm film SLR? A quick look at six (vintage?) film camera manufacturers…

Compact camera mega test: The Konica Big Mini's transparent ambitions

Compact camera mega test: The Konica Big Mini’s transparent ambitions

Imagine the scene: one night in Tokyo, some Konica employees are drinking in a hostess bar. One of them looks through the bottom of his glass and has a brainwave. ‘Hey!’, he exclaims, ‘Let’s make a camera with a clear lens cover!’

Polaroid Land 420, Fuji FP-3000B

EMULSIVE interview #198: I am Angela Solis and this is why I shoot film

I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.

Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6

Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)

Pure Colombian

Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6

Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.

Olympus Stylus Epic on Kodak Tri-X 400.

EMULSIVE interview #167: I am Mike Janik and this is why I shoot film

Today’s interviewee should need no introduction but he gets one anyway.

Vandalartists - Shot on Konica Infrared 750 at EI 8 - Black and white infrared film in 120 format shot as 6x6 - R72 filter

Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)

Vandalartists
Shot on Konica Infrared 750 at EI 8
Black and white infrared film in 120 format shot as 6×6
R72 filter
 

 
 

 
 

Southeast Waterfront, Washington D.C. Fuji GA645, Ektar 100.

EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film

Today we’re sitting down with film photographer Jamelle Bouie.

Istanbul, 2015 - Leica M6 35mm F2.8 Zeiss, Kodak Tri-X 400

EMULSIVE interview #70: I am Tim Heubeck and this is why I shoot film

We’re really pleased to have been able to grab some time with the talented Tim Heubeck, a 19 year old photographer seemingly obsessed with black and white film and travel – a nice combination and great for producing the beautiful

'Piccadilly Rain' - London, 2014 (Leica MP - Voigtlander 35 f/1.4 - Kodak 500T Motion Picture Film)

EMULSIVE interview #26: I am Mike Fraser and this is why I shoot film

Today we’re sitting down with Mike Fraser, Toronto-based photographer, cancer researcher and all round globe-trotting nice guy.

Mike works in film of all formats, as well as the occasional foray into digital.