• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Konica » Page 2

Tag: Konica

Southeast Waterfront, Washington D.C. Fuji GA645, Ektar 100.
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film

Avatar - EMby EMJune 9, 2016October 16, 2020

Today we’re sitting down with film photographer Jamelle Bouie.

Con-INFRA-erous - Konica Infrared 750 shot at EI 8 with #25 filter. Black and white infrared film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Con-INFRA-erous – Shot on Konica Infrared 750 at EI 8 (120 format)

Avatar - EMby EMApril 18, 2016October 16, 2020

Con-INFRA-erous
Shot on Konica Infrared 750 shot at EI 8 with #25 filter
Black and white infrared film in 120 format shot as 6×6

 

 

Istanbul, 2015 - Leica M6 35mm F2.8 Zeiss, Kodak Tri-X 400
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #70: I am Tim Heubeck and this is why I shoot film

Avatar - EMby EMApril 14, 2016October 16, 2020

We’re really pleased to have been able to grab some time with the talented Tim Heubeck, a 19 year old photographer seemingly obsessed with black and white film and travel – a nice combination and great for producing the beautiful

'Piccadilly Rain' - London, 2014 (Leica MP - Voigtlander 35 f/1.4 - Kodak 500T Motion Picture Film)
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #26: I am Mike Fraser and this is why I shoot film

Avatar - EMby EMOctober 13, 2015October 16, 2020

Today we’re sitting down with Mike Fraser, Toronto-based photographer, cancer researcher and all round globe-trotting nice guy.

Mike works in film of all formats, as well as the occasional foray into digital.

Posts navigation

Newer posts 1 2
  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

Corinne Perry - Wallflower #1
EMULSIVE interview #112: I am Corinne Perry and this is why I shoot film – NSFW
Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Film review: Kodak Gold 200 vs Fujicolor C200 comparison - by Dan Marinelli
Film review: Kodak Gold 200 vs Fujicolor C200 comparison
I don't - Shot on Kodak Tri-X 400 at EI 400. Black and white negative film in 35mm format.
Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)
Hasselblad XPan and Fujifilm Velvia 100
5 Frames… From a Hasselblad XPan on Fujifilm Velvia 100
Halfway there - Shot on Fuji Velvia 50 (RVP) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Photography: Halfway there – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of Polaroid Color SX-70 Film at the tiny Greek island of Anafi (ISO 160 / Polaroid SX-70 + 116mm f/8 lens) – by George Pavlopoulos
  • Lomography special effect film comparison: Metropolis, Purple, Turquoise, Redscale
  • 5 Frames… Of the Gatineau River on LOW ISO Color film (35mm format / EI 1.6 / Nikon FA + Nikkor 20mm f/2.8D) – by Alex Saucier
  1. Jacob on How to shoot expired film or, no you do not need to add one stop per decadeAugust 9, 2022
  2. Ryan Gabbard on Lomography special effect film comparison: Metropolis, Purple, Turquoise, RedscaleAugust 8, 2022
  3. Ryan Gabbard on Lomography special effect film comparison: Metropolis, Purple, Turquoise, RedscaleAugust 8, 2022
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2022 EMULSIVE.