A friend of mine told me once that she had a special surprise in mind for a roll of film she was shooting. She left me in the dark about what exactly it was for about a week until the roll was completed and she showed me the results. The photos were all bathed in […]
Tag: Kodak ULTRA MAX 400
The King’s Trail: Documenting my hike through the Swedish Lappland on the Leica M4 and Kodak ULTRAMAX 400
Above the Arctic Circle, amidst the wide green plains, enclosed in looming blue peaks, the ‘King’s Trail’ covers 400km of land devoid of civilisation, save for the indigenous Sami, their reindeer, and the occasional shelter. Here is where I found myself last year, Leica M4 in hand, photographing one of the most beautiful places on […]
The wild bear in my neighborhood: Documenting Halloween 2021’s Bangkok lèse-majesté protests on 35mm film
Let’s say there’s this wild bear in your neighborhood. He terrorizes the children and snaps his teeth at the elderly. He breaks into people’s homes, stomps on their plants, destroys their lawn furniture, and eats their food. Although the bear is being his bear-self, people are frustrated and they have concerns. The wild bear in […]
5 Frames… Of life in Mexico during quarantine (Kodak UltraMax 400 / 35mm Format / EI 400)
All these frames were shot with my Minolta X-700 and a Minolta MD Rokkor 50mm f/1.7, the combination that made me discover my passion for photography almost a year ago. Even though I’m still in the phase of finding out which film stock I like the most, Ultramax 400 is the one that I always […]
EMULSIVE interview #217: I am Nat Meier and this is why I shoot film
I’m so pleased to be able to bring you today’s fresh film photographer interview with none other than Nat Meier. If you’ve spent any time at all on the Twitter film photography community over the past few months, you should be no stranger to Nat’s wonderful photography of San Francisco and beyond. For now, it’s […]
5 Frames… With Kodak ULTRAMAX 400 (EI 400 / 35mm format / Minolta X-700)
All these frames were shot at the white sands national monument while on a road trip in the States (my family are all American – this road trip happens bi-annually). We were driving the length of Route 66…
EMULSIVE’s most popular film photography posts of 2018
2017’s end of year listicles seem like they went down pretty well, so I’ve decided to put my personal prejudice against them to one and put together a few more for 2018.
Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick
Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.
Photography: Pediment – Kodak ULTRA MAX 400 (35mm)
Pediment
Kodak ULTRA MAX 400 shot at EI 1600
Color negative film in 35mm format
Push processed two stops.
EMULSIVE interview #100: I am Hudson Jacobs and this is why I shoot film
In his own words today’s photographer is a fourteen year old colour blind, far sighted and close sighted photographer…who uses film.
With that out of the way, it’s not only time for the latest EMULSIVE interview but also time for
Photography: Maintenance required – Kodak ULTRAMAX 400 (35mm)
Maintenance required
Shot on Kodak ULTRAMAX 400 at EI 1600
Color negative film in 35mm format
Push processed two stops
Camera review: Me and my Kodak Star 435 Pinhole – Ian Christie
Hey gang, Ian here. Today I’ll share with you my Kodak Star 435 – with a twist.
The Kodak Star 435 was made from 1990 – 1994 as an inexpensive snapshot camera.
EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough.
So, it seems like the perfect time to bring you the work of another young
EMULSIVE interview #29: I am Shikha Makan and this is why I shoot film
Director and travel junkie Shikha Makan is today’s interviewee and what an interesting character she is.
After Kodak closed its doors in India, a friend handed her hundreds (yes, hundreds), of rolls of expired Kodak Ektachrome.
Photography: Gnarly – Shot on Kodak ULTRA-MAX 400 at EI 400 (35mm format)
Gnarly
Kodak ULTRA-MAX 400 shot at EI 400
Color negative film in 35mm format
Photography: Nurture nature – Kodak Ultramax 400 (35mm)
Nurture nature
Kodak ULTRAMAX 400 shot at EI 400
Color negative film in 35mm format
Photography: Sepia shade – Kodak ULTRAMAX 400 (35mm)
Sepia shade
Kodak ULTRAMAX 400 shot at ISO400
Color negative film in 35mm format
Photography: Stop, look up – Shot on Kodak ULTRAMAX 400 at EI 400 (35mm)
Stop, look up
Shot on Kodak ULTRAMAX 400 at EI 400
Color negative filmin 35mm format
Photography: Pushed to the MAX – Shot on Kodak ULTRA MAX 400 at EI 1600 (35mm format)
Pushed to the MAX
Shot on Kodak ULTRA MAX 400 at EI 1600.Color negative film in 35mm format