In this piece, I will be reviewing the Fuji GA645i 6×4.5 medium format camera.
Tag: Kodak Portra 400
EMULSIVE interview #157: I am Perry J Resnick and this is why I shoot film
You may recall today’s interviewee from his piece on Kodachrome some time ago.
Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H
Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.
EMULSIVE interview #156: I am Matt Stoffel and this is why I shoot film
Ladies and gentlemen, welcome! I’ve been waiting for today’s interviewee for a while (mostly my fault). Now he’s here, I’m going to zip it and hand over to him.
5 Frames… With Kodak Portra 400 (EI 400 / 120 format / Hasselblad 2000FCW)
Hamish Gill, resident crackpot over at 35MMC.com recently sent out a call for submissions for a new series of articles over on Twitter.
Photography: The stars above – Shot on Kodak Portra 400 at EI 400 (120 format)
The stars above
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
Photography: Salarymen – Kodak Portra 400 (120)
Salarymen
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
Photography: Tinkle time – Shot on Kodak Portra 400 at EI 400 (120 format)
Tinkle time
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
My return to film: Jake Bryant
I feel lucky to have grown up with film being my only option to create a photograph. It wasn’t until I travelled through India in 1992, that the world through a viewfinder opened up to me.
EMULSIVE interview #141: I am Phil Harrison and this is why I shoot film
Readers with even the shortest of memories will remember today’s interviewee from his guest review of FILM Ferrania’s FERRANIA P30® emulsion back in April.
Travelogue: Hong Kong
I was visiting Hong Kong again after some years, and was caught by how the city’s landscape had changed during that time.
EMULSIVE interview #136: I am Marta Beltowska and this is why I shoot film
Today we’re grabbing some time with Marta Beltowska, currently based in London, UK.
EMULSIVE interview #135: I am Jack Allan and this is why I shoot film
I’m pleased to be able to bring you the work and words of Jack Allan. There’s little to explain here up top, as Jack does a fantastic job of it below.
EMULSIVE interview #134: I am Monika and this is why I shoot film
Finally! That’s all I’m going to say about today’s interview.
Travelogue: Australia part three – Tasmania
Today we’re welcoming Sarah Arnoff back with part three of her Australian travelogue.
EMULSIVE interview #129: I am Barnaby Nutt and this is why I shoot film
Have we got a treat in store for you today.
EMULSIVE interview #123: I am Laidric Stevenson and this is why I shoot film
The eagle-eyed amongst you will recognise today’s interviewee from his excellent and much-discussed review of the Bronica GS-1 system; as well as the beautiful images which accompany it.
EMULSIVE interview #122: I am Kikie Wilkins and this is why I shoot film
Welcome one and all!
EMULSIVE interview #110: I am Kristen Smith and this is why I shoot film
It must have been near on a year ago when I first nudged today’s interviewee for her time over on Twitter.
Photography: Barred skies – Kodak Portra 400 (120)
Barred skies
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6