Tag: ILFORD
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Photography: Wax apple light study #01 – Ilford Pan F Plus
Wax apple light study #01 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all! It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
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EMULSIVE interview #57: I am Shawn Mozmode and this is why I shoot film
We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
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EMULSIVE interview #56: I am Andrew Sanderson and this is why I shoot film
We’re honoured to have been able to grab some time with Andrew Sanderson, author and Ilford Master Printer. Andrew’s prolific to say the least and in my opinion, a perfect example of all this is good with the photography community.
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Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
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Photography: Alley 35 – Ilford Delta 400 Professional
Alley 35 Ilford Delta 400 Professional shot at EI 12800 Black and white negative film in 120 format shot at 6×6 Push processed 5-stops
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EMULSIVE interview #55: I am Paul Berry and this is why I shoot film
Grab a coffee and a pack of your favorite biscuits, this is going to be a long and interesting read.
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Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)
Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5-stops
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process
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Photography: What can I help you with? – Ilford HP5+ (120)
What can I help you with? Shot on ILFORD HP5 PLUS at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3-stops
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EMULSIVE interview #53: I am Thom Axon and this is why I shoot film
There’s salt in the air and it must have something to with today’s interviewee, Thom Axon. Thom’s a busy man.
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EMULSIVE interview #52: I am Joan Ollé and this is why I shoot film
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR. Yes, you read that right, a DLSR got him into film.
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Photography: Slipway – Shot on ILFORD FP4 PLUS at EI 800 (120)
Slipway ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 120 format as 6×6 Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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EMULSIVE interview #49: I am Aimee Lower and this is why I shoot film
We’re finishing off this year’s interviews with the wonderful Aimee Lower. Aside from being one of the very first people we engaged with on Twitter, Aimee also knows Nils Karlson, this week’s other interviewee.
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EMULSIVE interview #46: I am Mike Pouliot and this is why I shoot film
We’re sitting down today with Mike Pouliot, a man whose photography oozes serenity, calm and stillness. Put down the coffee, spit out that mouthful of Red Bull and get settled in.
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Photography: That Monday feeling – Shot on ILFORD SFX 200 (35mm)
That Monday feeling Shot on ILFORD SFX 200 at EI 200Black and white negative in 35mm format That Monday feelingShot on ILFORD SFX 200 at EI 200.Black and white negative in 35mm format.
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EMULSIVE interview #45: I am Hans ter Horst and this is why I shoot film
“No more chimping” – Hans ter Horst isn’t the first person to have said that and her certainly won’t be the last.
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EMULSIVE interview #44: I am Gary W Smith and this is why I shoot film
We’re sitting down today with with Liverpudlian turned Londoner, Gary W Smith. You might recognise some of the images below from his Zones 1-4 and London Street projects.