We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
Tag: ILFORD
EMULSIVE interview #56: I am Andrew Sanderson and this is why I shoot film
We’re honoured to have been able to grab some time with Andrew Sanderson, author and Ilford Master Printer.
Andrew’s prolific to say the least and in my opinion, a perfect example of all this is good with the photography community.
Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped
ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
Photography: Alley 35 – Ilford Delta 400 Professional
Alley 35
Ilford Delta 400 Professional shot at EI 12800
Black and white negative film in 120 format shot at 6×6
Push processed 5-stops
EMULSIVE interview #55: I am Paul Berry and this is why I shoot film
Grab a coffee and a pack of your favorite biscuits, this is going to be a long and interesting read.
Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)
Thinking it over
Shot on ILFORD HP5 PLUS at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5-stops
Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT
ILFORD SFX 200 shot at EI 25
Black and white infrared film in 35mm format
R72 filter plus two-stop push process
Photography: What can I help you with? – Ilford HP5+ (120)
What can I help you with?
Shot on ILFORD HP5 PLUS at EI 3200
Black and white negative film in 120 format shot as 6×6
Push processed 3-stops
EMULSIVE interview #53: I am Thom Axon and this is why I shoot film
There’s salt in the air and it must have something to with today’s interviewee, Thom Axon. Thom’s a busy man.
EMULSIVE interview #52: I am Joan Ollé and this is why I shoot film
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR.
Yes, you read that right, a DLSR got him into film.
Photography: Slipway – Shot on ILFORD FP4 PLUS at EI 800 (120)
Slipway
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 120 format as 6×6
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here.
EMULSIVE interview #49: I am Aimee Lower and this is why I shoot film
We’re finishing off this year’s interviews with the wonderful Aimee Lower. Aside from being one of the very first people we engaged with on Twitter, Aimee also knows Nils Karlson, this week’s other interviewee.
EMULSIVE interview #46: I am Mike Pouliot and this is why I shoot film
We’re sitting down today with Mike Pouliot, a man whose photography oozes serenity, calm and stillness. Put down the coffee, spit out that mouthful of Red Bull and get settled in.
Photography: That Monday feeling – Shot on ILFORD SFX 200 (35mm)
That Monday feeling
Shot on ILFORD SFX 200 at EI 200Black and white negative in 35mm format
That Monday feelingShot on ILFORD SFX 200 at EI 200.Black and white negative in 35mm format.
Photography: Art – Fuji Provia 100F RDPIII XPRO (120)
Art
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Pushed one stop and cross processed
Read the Fuji Provia 100F (RDP III) review here.
 
EMULSIVE interview #45: I am Hans ter Horst and this is why I shoot film
“No more chimping” – Hans ter Horst isn’t the first person to have said that and her certainly won’t be the last.
EMULSIVE interview #44: I am Gary W Smith and this is why I shoot film
We’re sitting down today with with Liverpudlian turned Londoner, Gary W Smith. You might recognise some of the images below from his Zones 1-4 and London Street projects.
EMULSIVE interview #43: I am Andrew Bartram and this is why I shoot film
35mm, medium format, instant and Large format; they’re all fair game for today’s interviewee, Andrew Bartram.
Photography: Patched – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Patched
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
Read the full ILFORD HP5 PLUS review here.