Today’s interviewee needs no introduction. I’m adamant about this. Over to you, Hamish!
Fine.
Today’s interviewee needs no introduction. I’m adamant about this. Over to you, Hamish!
Fine.
Pick-me-up
ILFORD DELTA PROFESSIONAL 400 shot at EI 1600
Black and white negative film in 120 format shot as 6×6
Push processed two stops
Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
Cafe culture
Shot on ILFORD Delta 400 Professional at EI 1600
Black and white negative in 120 format shot as 6×6
Push processed two stops
We’ve been rather lucky in snatching some time with the one and only Jo Farrell, whom you may know from her long running project, Living History: Bound Feet.
Jo has spent the past nine years getting to know and capturing
Temple cleaning
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Read the full ILFORD FP4 PLUS review here.
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?
Shuttered
Shot on ILFORD FP4 PLUS at EI 125
Black and white negative film in 35mm format
Today we’re sitting down with Mike Fraser, Toronto-based photographer, cancer researcher and all round globe-trotting nice guy.
Mike works in film of all formats, as well as the occasional foray into digital.
Lobed
Shot on ILFORD HP5 PLUS at EI 400
Black and white negative film in 120 format shot as 6×4.5
Read the full ILFORD HP5 PLUS review here.
Here we are again for a sit-down with another film photographer.
Some call him, Mr. Polypan…That’s Polypan F, the black and white cinecopy film.
Others simply call him by the slightly less catchy Michael Bitaxi.
Currently based in one of my favorite parts of London (hint: US movie buffs might will recognise it as being near the main location of that Hugh Grant and Julia Roberts film), today’s interviewee, Roy Clark is a professional writer
Today we’re sitting down with Arizona based history buff and urban art aficionado, Andrew Hutchinson. Andrew is a man seemingly obsessed with rich, saturated color and light…beautiful light.
Today I’m sitting down with self-proclaimed Canadian Gentleman, Riley Joseph.
Slightly more comfortable in his photographer’s skin now that he’s had the chance to “settle in” to carrying a camera after 17 long years of trying, I’m hoping to
Whiter than white
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
One must keep on one’s toes when talking with the Welsh.
“Shooting film and riding steel framed bikes; the life I wanted but never knew existed”.
Today we managed to wedge ourselves into the hectic life of Bill McCarroll;
This week I’m sitting down with Lee Fennings, a UK-based digital shooter, now just starting to shoot 35mm with his beautiful reconditioned Olympus Trip 35.
Lee’s a rather strange beast as far as digital street photographers go;