Tag: Hasselblad
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Photography: #4 – Shot on Kodak Portra 400 at EI 400 (120 Format)
#4 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6×6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.
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Photography: Got a minute? – Shot on Kodak Portra 400 at EI 400 (120 format)
Got a minute? Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: One outta two – Shot on Kodak Portra 400 at EI 400 (120 format)
One outta two Shot on Kodak Portra 400 at EI 400 Color negative film in120 format shot as 6×6
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Photography: Hard grind – Shot on Kodak BW400CN at EI 400 (120 format)
Hard grind Shot on Kodak BW400CN at EI 400 Black and white negative film in 120 format shot as 6×6
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Why shoot film part 2: Seeking the Hasselblad XPan
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
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EMULSIVE interview #174: I am Ian Bartlett and this is why I shoot film
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you’ll be more than familiar with today’s interviewee, Ian Bartlett. I’m looking forward to this!
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Photography: Evening glow – Shot on Fuji Pro 400H at EI 400 (6×6)
Evening glow Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×6
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The Hasselblad V-System master guide: Overview
The Hasselblad V-System Master Guide is a hub of in-depth articles and reviews intended to be an exhaustive resource for real, user-verified data on this classic film camera system.
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Photography: Big eye – Shot on Kodak PPN 160 at EI 100 (120 format)
Big eye Shot on Kodak PPN 160 at EI 100 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It’s wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell. Over to you, John! Hi John, what’s this picture, then? Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
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Photography: Slits – Shot on Kodak Ektar 100 (120)
Slits Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6×6 Push processed one stop
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EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview.
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Photography: Cubed #05 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #05 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #04 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #04 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #03 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #03 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #02 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #02 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #01 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #01 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Party’s over – Shot on Rollei Infrared 400 at EI 400 (120 format)
Party’s over Shot on Rollei Infrared 400 at EI 400 Black and white infrared film in 120 format shot as 6×6 No filter Read the Rollei Infrared 400 review
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