Tag: Hasselblad
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Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)
Off at the door Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Granatum – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Granatum Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Medium format first timer: a few months on with the Hasselblad 500C/M
It’s been a few months now since I came into the world of medium format and became a Hasselblad owner.
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Photography: Blue green dream – Shot on Kodak Portra 160VC at EI 160 (120 format)
Blue green dream Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: 40 percent pebbles by volume – Shot on Kodak Portra 160VC at EI 160 (120 format)
40 percent pebbles by volume Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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The Hasselblad V-system master guide: C and C T* lenses
In this section of the Hasselblad V-system master guide, I’ll be taking a look at the first two generations of Hasselblad lenses. If you’re looking for lenses for your Hasselblad 500, 500CM 501 or 305 (whichever version), this is the place to start.
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Photography: Red yellow green grey – Shot on Lomography Color Negative 100 at EI 100 (120 format)
Red yellow green grey Shot on Lomography Color Negative 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Patience pays – Shot on Shanghai GP3 100 at EI 800 (120 format)
Patience pays Shot on Shanghai GP3 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: For one – Shot on Fuji Provia 400X RXP400 at EI 400 – 120 format
For one Shot on Fuji Provia 400X (RXP400) at EI 400 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Pick and choose – Shot on Kodak Ektar 100 at EI 400 (120 format)
Pick and choose Shot on Kodak Ektar 100 at EI 400 Color negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Getting a handle on things – Shot on Kodak Portra 400BW at EI 400 (120 format)
Getting a handle on things Shot on Kodak Portra 400BW at EI 400. Black and white negative film in 120 format shot as 6×6.
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Photography: Shattered by light – Shot on Kodak Ektar 100 at EI 400 (format)
Shattered by light Shot on Kodak Ektar 100 at EI 400 Color negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Look to the skies – Shot on Konica Pan 100 at EI 100 (120 format)
Look to the skies Shot on Konica Pan 100 at EI 100. Black and white negative film in 120 format shot as 6×6.
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Photography: Whassatden? – Shot on Konica Pan 100 at EI 100 (120 format)
Whassatden? Shot on Konica Pan 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Light shower Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Nailed it Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Get a grip – Shot on Konica Pan 100 at EI 100 (120 format)
Get a grip Shot on Konica Pan 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Engine #9 – Shot on Kodak Portra 400 at EI 400 (120 Format)
Engine #9 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Medium format first timer: Kodak 120 film and the Hasselblad 500C/M
I’ve wanted to get into the medium format aspect of photography for some time now but the timing aspect hasn’t really been there if I’m honest, that was up until now. I’ve admired several medium format cameras from afar but
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The Hasselblad V-System master guide: film magazines, instant and sheet film backs
Part one of this collection covered an in-depth overview of the Hasselblad V-System. This section of the guide covers roll film, instant and sheet film backs (designated by Hasselblad as “magazines”).
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