Tag: Hasselblad
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EMULSIVE's most popular film camera reviews of 2017
I’m back with the second in this series of end-of-year-lazy-posts.
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Photography: Bric-a-brac – Shot on Kodak EKTACHROME 200 EPD at EI 200 (120 format)
Bric-a-brac Shot on Kodak EKTACHROME 200 (EPD) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processed
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Photography: Summer getaway – Shot on Kodak Portra 400 BW at EI 400 (120 format)
Summer getaway Shot on Kodak Portra 400 BW at EI 400 Black and white negative film in 120 format shot as 6×6 Chromogenic film Read the Kodak Portra 400 BW review
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Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)
Vandalartists Shot on Konica Infrared 750 at EI 8 Black and white infrared film in 120 format shot as 6×6 R72 filter
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Photography: Scratch that – Shot on Rollei CR 200 at EI 200 (120)
Scratch that Shot on Rollei CR 200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: 4x – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
4x Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops Read the full ILFORD HP5 PLUS review here.
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Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)
Lightbulb moment Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6×6. Push processed one stop.
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Photography: Blue bolt – Shot on Kodak Portra 100T at EI 100 (120 format)
Blue bolt Shot on Kodak Portra 100T at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Unhinged #01 – Shot on Kodak Ektar 100 at EI 100 (120 format)
Unhinged #01 Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×4.5
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Photography: Skins – Shot on Fuji Pro 160NS at EI 400 (120 format)
Skins Shot on Fuji Pro 160NS at EI 400 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Side entrance #01 – Shot on Kodak Portra 400 at EI 400 (120 format)
Side entrance #01 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
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Photography: Clipped – Shot on ILFORD XP2 Super (120)
Clipped Shot on ILFORD XP2 Super at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Nice pins – Shot on Kodak Portra 400VC (120)
Nice pins Shot on Kodak Portra 400VC at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Ash collection system – Shot on Fuji Provia 400X – RXP400 (120)
Ash collection system Shot on Fuji Provia 400X (RXP400) at EI 400 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)
Small hot chilies Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Offaly good – Shot on Lomography Color Negative 400 (120)
Offaly good Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Wild pig – Shot on Lomography Color Negative 400 (120)
Wild pig Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Strung up – Shot on Lomography Color Negative 400 (120)
Strung up Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Snack time – Shot on Lomography Color Negative 400 (120)
Snack time Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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EMULSIVE interview #159: I am Toby Van de Velde and this is why I shoot film
Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.
Recently published
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- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
