Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
Tag: Hasselblad
Posted in5 Frames...
5 Frames… Of Querétaro at dawn on Kodak VISION3 500T 5219 and a Hasselblad 503CX (120 Format / EI 500 / Distagon C 50mm f/4)
For a long time I wanted to use motion picture film, I found myself buying Cinestill 800T for the convenience of developing but after doing some research I found that it is not difficult to develop motion picture film with C-41 chemistry. So I bought some rolls of medium format Kodak VISION3 500T (5219) for […]
Posted inPhotosets and stories
47 Nearby Gasoline Stations on Kodak Tri-X 400
Climate change will force humans to cut their dependency on fossil fuels or the consequences will be catastrophic. But how can we really grasp and put our consumption of oil into a relatable context? Numbers as such millions of oil barrels produced per year don’t seem to make sense to anyone outside of the oil […]
Posted inMedium format
Photography: Be with you in just a moment – Shot on Kodak Ektar 100 at EI 100 (120 Format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 120 format shot as 6x6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Be with you in just a moment – Color negative film in 120 format shot as 6×6. Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
Posted inGuides & How-Tos
Shooting 35mm panoramic photographs with the Pentax 67
I first heard about the 24x65mm panoramic format when I bought my Fujifilm GFX50S a few years back. The digital medium format camera is able to shoot in 24×65 cropped mode whilst keeping the raw file intact and uncropped. I thought it was fun to shoot but I didn’t really commit to the format that […]
Posted in5 Frames...
5 Frames… Of Nordic summer bliss (and Heathrow) on Lomography 800 and a Hasselblad 500CM with Carl Zeiss Planar CF 80mm f/2.8
My family and I recently moved to Sweden. I had owned the Hasselblad for a few months prior to moving, but documenting our first few months in the country of its origin seemed poignant! The first few film stocks I had tried were Ektar 100, then Lomography Color Negative 800 (which I had unsuccessfully tried […]
Posted in5 Frames...
5 Frames… In Central Park on Rollei Ortho 25 Plus (120 Format / EI 25 / Hasselblad 500CM + Zeiss Planar C 80mm f/2.8)
Rollei Ortho 25 Plus is easily my favorite film, and it’s probably the one I use least often. It’s obviously a lot easier, and less conspicuous, to load my Nikon F2 with a roll of Kodak Tri-X 400, push it to EI 1600 for a long walk and call it a day. But, when I […]
Posted inMedium format
Photography: Lei Day – Shot on Kodak Portra 400VC at EI 320 (120 Format)
Shot on Kodak Portra 400VC at EI 320 (120 Format). Color negative film in 120 format shot as 6×6. Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
Posted inHasselblad film camera reviews
Camera review: A love letter to my Hasselblad 500CM
After graduating from college in 2020 my parents gave me a Hasselblad 500CM as a graduation present. I had been wishing for a Hasselblad since learning about them. As a quick introduction, Hasselblad is legendary within analogue photography circles, from photos on the moon during the Apollo 11 mission (I can recommend the 2019 documentary […]
Posted inMedium format
Photography: Under a silver canopy – Shot on ILFORD SFX 200 with #25 red filter at EI 12 (120 format)
Shot on ILFORD SFX 200 with #25 red filter at EI 12Black and white negative film in 120 format shot as 6x6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Development notesKodak HC-110: 1+31(B), 20°C/68°F, 09:00 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
Posted inMedium format
Photography: At your stations – Shot on Kodak T-MAX 100 at EI 200 (120 format)
Shot on Kodak T-MAX 100 at EI 200.Black and white negative film in 120 format shot as 6x6Hasselblad 2000FCW + Zodiak-B 30mm f/3.5 converted to V-Mount Development notesKodak HC-110: 1+31(B), 20°C/68°F, 6:30 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
Posted inMedium format
Photography: Zoom and enhance – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
Posted inLomography Film Stock Reviews
Purple nights on Lomochrome Purple with the Pixels and Grain Collective
Lomochrome Purple XR 100-400 is an interesting film, with unclear origins, that shifts colours towards the purple spectrum, like a fantasy/dream. Greens become purple, blues aqua/green, and skin tones orangey, in a psychedelic way. Iso 100? 200? 400? Take your pick! While there are many articles out there about the colour shifting properties of this film, […]
Posted inFeatured, Film Photographer Interviews, Interviews
EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)
Welcome to today’s fresh EMULSIVE interview. We have a bit of a treat this week in the form of polymath Ellen Rogers. Ellen is a photographer, colourist, lecturer, PhD student and fantasist — among other things. I’m so, so glad to be able to welcome her onto these pages! A couple of the photos are […]
Posted inPhotosets and stories
Getting a 6×6 kick on Portugal’s Route 66 with a Rolleicord, Yashica and Hasselblad 500C
Bobby Troup and his wife Cynthia Hare sang the feeling of crossing one of America’s longest roads, way-way back in 1946 with the line, “Get your kicks, on Route 66.” Later that year Nat King Cole would record the song and contribute to making this dusty road — running more than 2000 miles all the […]
Posted in5 Frames..., Articles
5 Frames… Of lightning on Fuji Provia 100F (120 Format / EI 100 / Hasselblad 500CM + Carl Zeiss Distagon CF 50mm f/4
It was around 9 o’clock in the evening when I was walking the coast of Thessaloniki in order to capture some long exposures of the ships with one of my friends. I was had my Hasselblad 500CM loaded with a Fuji Provia 100F and was searching for the ideal place to set our tripods. My […]
Posted in5 Frames..., Articles
5 Frames… Of the Circo Atayde Hermanos on Kodak T-MAX 400 (EI 400 / 120 Format / Hasselblad 503CX + Planar CF 80mm f/2.8)
Do you remember the first camera that made you fall in love or impress you? By this, I mean a time when you knew nothing or very little about photography. In my case, it happened when I was a teenager and I saw a Hasselblad 500C/M for the first time, a Hasselblad, an expensive Hasselblad! […]
Posted in5 Frames...
5 Frames… By Seattle’s Pike Place Market on a Hasselblad 500CM and Ilford HP5 PLUS (120 Format / EI 400 / Carl Zeiss Distagon CF 60mm f/3.5)
5 Frames… Near Seattle’s Pike Place Market on a Hasselblad 500CM and ILFORD HP5 PLUS (120 Format / EI 400 / Carl Zeiss Distagon CF 60mm f/3.5) When talk turns to street photography cameras, first thoughts might be 35mm rangefinders or small SLRs, though many iconic shots have been done with larger medium format cameras. […]
Posted inBest Of
EMULSIVE’S most popular articles of 2020
And here it is, the final listicle of 2020. The most popular articles of the year as decided by you for the year we all want to forget. I don’t really have anything more to add other than to wish you all well as you see in the new year and to thank you for […]
