• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Bruno Pires
Avatar - Bruno Pires

Author Archives: Bruno Pires

I’m a Portuguese photojournalist and I’ve been shooting pro sports, portraits and general news for the last 16 years, though I started shooting, developing and printing B&W film twenty years ago. I’m also an aspiring filmmaker, slow-ride biker, old-school skater, bedroom guitarist and most of all, a PROUD father of two super-boys. Shooting film is the perfect escape from the digital world and the way I found pleasure in photographing again. I try to combine it all with vintage typewriters and loads of vinyl records, all things I grew up with and always meant a lot to me.

  • instagram
Check out Bruno's website.
Cover - Getting a 6x6 kick on Portugal’s Route 66 with a Rolleicord, Yashica and Hasselblad 500C
Posted inPhotosets and stories

Getting a 6×6 kick on Portugal’s Route 66 with a Rolleicord, Yashica and Hasselblad 500C

Avatar - Bruno Piresby Bruno PiresFebruary 17, 2021July 31, 2021

Bobby Troup and his wife Cynthia Hare sang the feeling of crossing one of America’s longest roads, way-way back in 1946 with the line, “Get your kicks, on Route 66.” Later that year Nat King Cole would record the song and contribute to making this dusty road — running more than 2000 miles all the […]

  • Latest
  • Popular
Latest
Popular

New to film photography? Read this:

Related reading

Agfa Billy I 6.3, Sixtomat, and Watameter
5 Frames… Of a triple waterfall in Luxembourg on ILFORD HP5 PLUS (120 Format / EI 400 / Agfa Billy I 6,3)
How-to: Upgrade your Rolleiflex at home with a digital light meter
How-to: Upgrade your Rolleiflex with a digital light meter
My First Roll... Of 35mm film (aged five years old), Kodak Plus-X Pan and an Agfa ISO-RAPID 1 - by David Hume
My First Roll… Of 35mm film (aged five years old), Kodak Plus-X Pan and an Agfa ISO-RAPID 1
Mumbai Part 4: In which one requires a proportionate response
Shrooming - Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6x6.
Photography: Shrooming – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Craig Pindell - Never Forget 2002
Photostory: Never Forget 2002 – Craig Pindell
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • Beacons Through Time: East Coast US lighthouses captured on solargraphs
  • 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M
  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
  1. Daily Thompson-Mail on 5 Frames… In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) – by Julian RuossSeptember 24, 2023
  2. Michael Przewrocki on An early swansong? Reviewing the CONTAX AX: autofocusing manual lensesSeptember 21, 2023
  3. Michael Przewrocki on An early swansong? Reviewing the CONTAX AX: autofocusing manual lensesSeptember 21, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.