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My year on film in 115 photos: A 2019 retrospective or,...

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...

EMULSIVE interview #210: I am Carlos Lopez Medrano and this is...

Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part,...

5 Frames With… Kosmo Foto Mono 100 (EI 100 / 120...

Over the past few months I have experimented with several medium format and 35mm cameras. I have also tried out different films...

Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What's the...

Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II...

5 Frames With… Kodak Tri-X 400 (120 / EI 200 /...

It is a wonderful thing to get out of the city and into nature. This is especially true if we can simultaneously...

Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI...

Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as...

Photography: Nature always wins – Shot on CatLABS X-Film 80 at...

Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot...

Photography: Decked out – Shot on Kodak Portra 800 at EI...

Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6x6

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

The 50th anniversary of a giant leap for mankind – Charys...

July 16th 1969 at 9:32am EDT, the crew of NASA's Apollo 11 mission began their historic journey to the moon and back atop the largest rocket system ever made, the Saturn V.

Photography: On the job – Shot on ILFORD Delta 400 Professional...

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format...

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI...

Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS...

Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6x61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8   Development notesKodak HC-110 1+47 (E

Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at...

5 o'clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6x6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Read the ILFORD HP5 PLUS review. Development notesKodak HC-110 1+47

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI...

Dead center Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME review Dead

Changing gear: how the theft of my kit pushed me into...

Changing Gear is a new series here on EMULSIVE where photographers are invited to talk about equipment or events that have changed the way they approach the world through their lens.

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400...

Rested Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME

Blind film review #02: CineStill 800T vs Kodak Portra 400 in...

This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.

EMULSIVE interview #198: I am Angela Solis and this is why...

I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.