Hasselblad XPan


Fujifilm TX-1 Far

9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei

At this point in my film career, I own my fair share of cameras. I’ve bought a Mamiya RB67 and some lenses. I splurged on …

Read more9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei

5 Frames... From a Hasselblad XPan at Lake Aloha on Kodak Portra 800 (35mm Format / EI 800) - by Brian Fulda

5 Frames… From a Hasselblad XPan at Lake Aloha on Kodak Portra 800 (35mm Format / EI 800) – by Brian Fulda

My girlfriend, four of our friends, and I recently planned a backpacking trip to the scenic Lake Aloha in California’s Desolation Wilderness, not far from …

Read more5 Frames… From a Hasselblad XPan at Lake Aloha on Kodak Portra 800 (35mm Format / EI 800) – by Brian Fulda

The Making of Hitchcock’s California- Vista Visions From the Camera Eye, by Robert Jones with Aimee Sinclair

The Making of Hitchcock’s California: Vista Visions From the Camera Eye, by Robert Jones with Aimee Sinclair

Hitchcock’s California is a photographic tribute to Alfred Hitchcock by Aimee Sinclair and myself, along with an essay by Hitchcock film historian Dan Auiler. The …

Read moreThe Making of Hitchcock’s California: Vista Visions From the Camera Eye, by Robert Jones with Aimee Sinclair

Carlos Lopez Medrano - Self, Hasselblad 2003FCW, ILFORD FP4 PLUS

EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film

Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in …

Read moreEMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film

Cover - How to make a TEXPan, aka shoot wide-format 35mm film in the Fuji GW690 rangefinder

How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder

In this article, I’ll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan).

EMULSIVE interview #90: I am Walter Rothwell and this is why I shoot film

A big welcome to Walter Rothwell! Well travelled and widely exhibited, it’s a real pleasure to be able to share the work of such a relented and experienced photographer on these pages.

Doorway Jiminez - Agfa Optima (2001)

EMULSIVE interview #64: I am Robert L. Jones and this is why I shoot film

Describing himself as, “barely removed from being a baby-boomer”, I got to know of Robert and his work through the previously featured, Aimee Lower.

Dalla Dance Al Jazz, Milan, Italy, 2005 © Joseph Gamble

EMULSIVE interview #18: I am Joseph Gamble and this is why I shoot film

Have you ever seen an image that stopped you dead in your tracks?
It last happened to me about a year ago, maybe more, maybe less.
I was browsing an online gallery of desktop wallpapers, looking for something a little