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Home » EI 6400

Tag: EI 6400

Developing film beaker and thermometer
Posted inDarkroom, Developing Film, Experiments, Film development times, Film stock reviews, ILFORD Film Stock Reviews, Reviews

Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400

by EMSeptember 10, 2016October 16, 2020

Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;

Over my shoulder - Ilford FP4+ shot at EI 6400. Black and white negative film in 35mm format. Push processed 5.6 stops.
Posted in35mm format, Photography

Photography: Over my shoulder – Ilford FP4+ (35mm)

by EMSeptember 6, 2016October 16, 2020

Over my shoulder
Shot on Ilford FP4+ at EI 6400
Black and white negative film in 35mm format
Push processed 5+2/3 stops
 
 

 
 

 
 

Fuji Across 100 at EI400
Posted inArticles, Darkroom, Experiments, Guides & How-Tos

How to get started with pushing (and pulling) film

by EMMarch 10, 2016May 17, 2020

We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.

It’s a great read for those of you who are thinking about dipping

Pockmarked - Maco Eagle AQS 400 @ ISO6400 (Rollei Retro 400S)
Posted in35mm format, Photography

Photography: Pockmarked – Shot on Maco Eagle AQS 400 / Rollei Retro 400S (35mm)

by EMJuly 6, 2015October 16, 2020

Pockmarked
Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320
Black and white negative film in 135 format
 

 
 

 
 

Experiments: Kodak Tri-X 400
Posted inKodak Film Stock Reviews

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)

by EMJune 25, 2015October 16, 2020

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Cover - Kodak Tri-X 400 review
Posted inKodak Film Stock Reviews

Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats

by EMJune 9, 2015October 16, 2020

Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Just northeast of Memphis on Classic EZ 400 (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams
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  • 5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero
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