Tread carefully
Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110
Twins
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Condensed
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Royalty
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
My go to black and white film has always been ILFORD HP5 PLUS for its excellent versatility, I love the grain I get especially when pushing it.
Under the eaves
Shot on Ilford Delta 3200 Professional at EI 1600
Black and white negative film in 120 format shot as 6×4.5
Orange #21 filter
Racked
Shot on Kodak Tri-X 400 at EI 3200
Black and white negative film in 120 format shot as 6×6
Push processed 3 stops
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
Resurfaced
Shot on Kodak Tri-X 400 at EI 3200
Black and white negative film in 35mm format
Push processed three stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
Shady looking
Shot on Kodak Tri-X 400 at EI 3200
Black and white negative film in 120 format shot as 6×6
Push processed three stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400
Big block
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200
Black and white negative film in 35mm format
Push processed 4+2/3 stops
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
