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Tag: EI 3200

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Experimenting with Kodak Tri-X 400: shooting from ...

Posted by EMULSIVE | Jun 25, 2015 | Articles, Experiments, Film Reviews, Kodak Films, Reviews

Film review: Kodak TRI-X 400 black and white negat...

Posted by EMULSIVE | Jun 9, 2015 | Articles, Film Reviews, Kodak Films, Reviews

Reference: Ilford FP4+ development times from EI 1...

Posted by EMULSIVE | Sep 10, 2016 | Articles, Darkroom, Developing Film, Development Times, Experiments, Film Reviews, ILFORD Films, Reviews

Royalty – Shot on Kodak T-MAX 3200 at EI 800...

Posted by EMULSIVE | Apr 20, 2018 | 35mm format, Photography

Twins – Shot on Kodak T-MAX 3200 at EI 800 (...

Posted by EMULSIVE | Apr 25, 2018 | 35mm format, Photography

Racked – Kodak Tri-X 400 (120)

Posted by EMULSIVE | Apr 7, 2017 | Medium format, Photography

Our 20 most recent articles

Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

by EMULSIVE | Apr 25, 2018 | 35mm format, Photography

Twins Shot on (new) Kodak T-MAX 3200 at EI 800 Black and white negative film in 35mm format Pull...

Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

by EMULSIVE | Apr 23, 2018 | 35mm format, Photography

Condensed Shot on (new) Kodak T-MAX 3200 at EI 800 Black and white negative film in 35mm format...

Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

by EMULSIVE | Apr 20, 2018 | 35mm format, Photography

Royalty Shot on (new) Kodak T-MAX 3200 at EI 800 Black and white negative film in 35mm format Pull...

5 Frames With… ILFORD HP5 PLUS (EI 3200 / 35mm / Nikon F100) – by Tim Dobbs

by EMULSIVE | Feb 26, 2018 | 5 Frames With, Articles

My go to black and white film has always been ILFORD HP5 PLUS for its excellent versatility, I...

Under the eaves – Ilford Delta 3200 Professional (120)

by EMULSIVE | Apr 10, 2017 | Medium format, Photography

Under the eaves Shot on Ilford Delta 3200 Professional at EI 1600 Black and white negative film in...

Racked – Kodak Tri-X 400 (120)

by EMULSIVE | Apr 7, 2017 | Medium format, Photography

Racked Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as...

Reference: Ilford FP4+ development times from EI 100 to EI 6400

by EMULSIVE | Sep 10, 2016 | Articles, Darkroom, Developing Film, Development Times, Experiments, Film Reviews, ILFORD Films, Reviews

Over the years I’ve built up a large bank of development times and schemes for many black...

Resurfaced – Shot on Kodak Tri-X 400 at EI 3200 (35mm)

by EMULSIVE | Jun 29, 2016 | 35mm format, Photography

Resurfaced Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 35mm format Push...

Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)

by EMULSIVE | May 6, 2016 | Medium format, Photography

Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot...

Big block – Eastman Double-X 5222 (35mm)

by EMULSIVE | Jul 27, 2015 | 35mm format, Photography

Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm...

Experimenting with Kodak Tri-X 400: shooting from EI 800 to EI 12800

by EMULSIVE | Jun 25, 2015 | Articles, Experiments, Film Reviews, Kodak Films, Reviews

Covering the results of experimenting with Kodak Tri-X 400, article picks up from my original...

Film review: Kodak TRI-X 400 black and white negative film – 35mm, 120 and large formats

by EMULSIVE | Jun 9, 2015 | Articles, Film Reviews, Kodak Films, Reviews

I originally wanted to start this article off with a divisive answer to the question,...

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