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Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI...

Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at...

Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800...

Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110 (B

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800...

Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110 (B

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800...

Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110 (B

5 Frames With… ILFORD HP5 PLUS (EI 3200 / 35mm /...

My go to black and white film has always been ILFORD HP5 PLUS for its excellent versatility, I love the grain I get especially when pushing it.

Photography: Under the eaves – Ilford Delta 3200 Professional (120)

Under the eaves Shot on Ilford Delta 3200 Professional at EI 1600 Black and white negative film in 120 format shot as 6x4.5 Orange #21 filter  

Photography: Racked – Kodak Tri-X 400 (120)

Racked Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6x6 Push processed 3 stops    

Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to...

Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;

Photography: Resurfaced – Shot on Kodak Tri-X 400 at EI 3200...

Resurfaced Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. ...and don't forget about the Tri-X 400 push processing guide!    

Photography: Shady looking – Shot on Kodak Tri-X 400 at EI...

Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6x6 Push processed three stops Read the Kodak Tri-X 400 review here. ...and don't forget about the Tri-X 400

Photography: Big block – Eastman Double-X 5222 (35mm)

Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm format Push processed 4+2/3 stops      

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+...

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Film stock review: Kodak TRI-X 400 black and white negative film...

Kodak TRI-X 400 is the film you want if you're looking for a consistently flexible film that's reliable in all kinds of conditions and to be fair, if you're reading this, you're probably already shooting it.

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