EI 3200


Tread carefully - ILFORD HP5 PLUS shot at EI 3200. Black and white negative in 120 format shot as 6x6. Push processed 3 stops.

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)

Tread carefully

Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Twins

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Condensed

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Royalty

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Under the eaves - Shot on Ilford Delta 3200 Professional at EI 1600. Black and white negative film in 120 format shot as 6x4.5. Orange #21 filter.

Photography: Under the eaves – Ilford Delta 3200 Professional (120)

Under the eaves
Shot on Ilford Delta 3200 Professional at EI 1600
Black and white negative film in 120 format shot as 6×4.5
Orange #21 filter

 

Developing film beaker and thermometer

Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400

Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;

2016-06-29 - Resurfaced - Kodak Tri-X 400 shot at EI 3200. Black and white negative film in 35mm format. Push processed three stops

Photography: Resurfaced – Shot on Kodak Tri-X 400 at EI 3200 (35mm)

Resurfaced
Shot on Kodak Tri-X 400 at EI 3200
Black and white negative film in 35mm format
Push processed three stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 

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Shady looking - 2016-05-06 - Kodak Tri-X 400 shot at EI 3200. Black and white negative in 120 format shot as 6x6. Push processed 2 stops.

Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)

Shady looking

Shot on Kodak Tri-X 400 at EI 3200
Black and white negative film in 120 format shot as 6×6
Push processed three stops

Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400

Experiments: Kodak Tri-X 400

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Cover - Kodak Tri-X 400 review

Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats

Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.