Tag: Rollei Infrared 400
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5 Frames… Of portraits and landscapes on Rollei Infrared 400 (EI 12 / 35mm format / Leica M3)
I have always been fascinated by infrared photography. This idea to make visible that part of the light spectrum which is invisible (to our eyes) has always got me. When I was a (geek) teenager, I modified my first digital camera (a Konica Digital Revio KD-220Z) to shoot infrared pictures. My parents yelled at me:…
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EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or more film discontinued – great, isn’t it? In fact, we’ve seen somewhere in the region of three new film stocks announced AND released – ILFORD ORTHO PLUS, Fujifilm NEOPAN 100…
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5 Frames… Of the French Alps on Rollei Infrared 400 (EI 25 / 120 format / Fujifilm GSW690III Professional)
On a recent trip to the French Alps I decided to try and shoot some infrared-sensitive film for the first time. I live in Central Scotland and we haven’t seen many ultra-sunny days this year… I decided to take the Fujifilm GSW690III Professional because the quality of the Fujinon 65mm f/5.6 lens is just stunning…
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5 Frames… With Rollei Infrared 400 (EI 400 / 35 format / Nikon FE)
I have always found the look of black and white infrared photographs intriguing and really wanted to try it myself.
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EMULSIVE’s most popular film stock reviews of 2018
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?
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Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
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Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
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Every single film stock still made today – Part 5: Oriental to Rollei (v3)
Update 02: 2018-09-20 Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
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How-to: convert a toy camera to shoot BW infrared film
Ok, so as photography how-to’s go, this one is as simple as they come.
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Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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EMULSIVE's most popular #5FramesWith articles of 2017
Earlier this year I started a new series of articles with Hamish over at 35mmc.
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Party’s over – Shot on Rollei Infrared 400 at EI 400 (120 format)
Party’s over Shot on Rollei Infrared 400 at EI 400 Black and white infrared film in 120 format shot as 6×6 No filter Read the Rollei Infrared 400 review
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EMULSIVE's most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017. First up, time to take
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5 Frames… With Rollei Infrared 400 (EI 12 / 120 format / Bronica SQ)
Over the past couple of summers I’ve been experimenting a bit with infrared photography. I’ve always been intrigued by the alienating look that infrared images can give you.
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Film stock review: Rollei Infrared 400
I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry.
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Photography: To the light – Rollei INFRARED 400 (4×5)
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
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EMULSIVE interview #125: I am whatsbehindthat and this is why I shoot film
I’m happy to finally bring you an interview with the mind behind black and white Instax photography before there was Instax Mini Monochrome!