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5 Frames With… Rollei Infrared 400 (EI 400 / 135 /...

I have always found the look of black and white infrared photographs intriguing and really wanted to try it myself.

EMULSIVE’s most popular film stock reviews of 2018

It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018.

Photography: The left of right – Shot on Rollei Infrared 400...

The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4x5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath  

Every single film stock still made today – Part 5: Oriental...

Update 02: 2018-09-20 Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

How-to: convert a toy camera to shoot BW infrared film –...

Ok, so as photography how-to's go, this one is as simple as they come.

Photography: Street rider – Shot on Rollei Infrared 400 at EI...

Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format    

EMULSIVE's most popular #5FramesWith articles of 2017

Earlier this year I started a new series of articles with Hamish over at 35mmc.

Party's over – Shot on Rollei Infrared 400 at EI 400...

Party's over Shot on Rollei Infrared 400 at EI 400 Black and white infrared film in 120 format shot as 6x6 No filter Read the Rollei Infrared 400 review          

EMULSIVE's most popular film photography posts of 2017

In the time honoured tradition of lazy posting at the end of each year, here's the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017. First up, time to take

5 Frames With… Rollei Infrared 400 (EI 12 / 120...

Over the past couple of summers I've been experimenting a bit with infrared photography. I've always been intrigued by the alienating look that infrared images can give you.

Film stock review: Rollei Infrared 400

I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry.

Photography: To the light – Rollei INFRARED 400 (4×5)

To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4x5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter          

Photography: Bunched up – Shot on Rollei INFRARED 400 at EI...

Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4x5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter          

Photography: Bodie Infrared – Rollei Infrared 400 (4×5)

Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4x5 format Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f/4.5      

EMULSIVE interview #125: I am whatsbehindthat and this is why I...

I'm happy to finally bring you an interview with the mind behind black and white Instax photography before there was Instax Mini Monochrome!

EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)

I'm bored. Photographically, that pretty much sums up the past few months for me. Yes I know it's probably not best to start off this update post with a lamenting and needy statement but there it is.

EMULSIVE interview #77: I am Lucy Wainwright and this is why...

Today we're sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright. Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.

Photography: Stack – Shto on Rollei Infrared 400 at EI 6...

Stack Rollei Infrared 400 shot at EI 6 with R72 filter Black and white infrared film in 120 format shot as 6x6    

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