Author: EM
-
Photography: Red cabbage light study #01 – Kodak Ektar 100 (120)
Red cabbage light study #01 Shot on Kodak Ektar 100 at EI200 Color negative film in 120 format shot as 6×6 Developed as black and white in Rodinal
-
Photography: Safe to cross – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Safe to cross Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
-
EMULSIVE interview #88: I am Nick Skinner and this is why I shoot film
Today we’re sitting down with 23-year old Nick Skinner from Newcastle in the North East of England. Nick’s been shooting film for about two years and has a rather interesting background which, as you’ll see, imparts itself onto his photography
-
Photography: The path ahead – Fuji Pro 160NS (120)
2016-06-16 – The path ahead Fuji Pro 160NS (120) shot at EI 400 Color negative film in 120 format shot as 6×7 Push processed 1+1/3 stops
-
EMULSIVE interview #87: I am Christopher Schmidtke and this is why I shoot film
I’ve got more fresh blood for you today in the form of Christopher Schmidtke from Wuerzburg, Germany. I won’t spoil it and let you all jump in;
-
Photography: Tapped out – Ultrafine Xtreme 100 (120)
2016-06-14 – Tapped out Ultrafine Xtreme 100 shot at EI 200 Black and white film in 120 format shot as 6×6 Push processed one stop
-
Photography: Look but don’t touch – Fuji Pro 160NS (120)
2016-06-13 – Look but don’t touch Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6×6 Push processed three stops
-
Photography: Danger close – Fuji Pro 160NS
2016-06-10 – Danger close Fuji Pro 160NS shot at EI 100. Color negative film in 120 format shot as 6×6.
-
Experimenting with black and white photography on colour Fuji INSTAX
Versione in Italiano e qui: https://emulsive.org/experiments/esperimenti-fotografici-con-fuji-instanx-in-bianco-e-nero My name is WhatsBehindThat and I make photos. I took my first shots with a Yashica film camera (after my brother explained me how to read the table of values behind the
-
EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film
Today we’re sitting down with film photographer Jamelle Bouie.
-
Photography: Number 32 – Kodak Portra 400
2016-06-09 – Number 32 Kodak Portra 400 shot at EI 800. Color negative film in 120 format shot as 6×6. Push processed two stops.
-
Photography: Standing guard – Fuji Pro 160NS
2016-06-08 – Standing guard Fuji Pro 160NS shot at EI 400. Color negative film in 120 format shot as 6×6. Push processed two stops.
-
EMULSIVE interview #85: I am Morgann Gicquel and this is why I shoot film
I managed to grab some time with today’s interviewee as he was making preparations for this year’s Canner Film Festival.
-
Photography: Behind the blue door – Fuji Pro 160NPC (120)
2016-06-07 – Behind the blue door Fuji Pro 160~NPC shot at EI100 Color negative film in 120 format shot as 6×6 Bleach bypass C-41 development
-
Photography: Red or Dead – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Red or Dead Kodak Vision3 250D 5207 shot at EI 25 Color motion picture film in 35mm format Shot as redscale
-
EMULSIVE interview #84: I am Rory Power and this is why I shoot film
Today we’re sitting down with 20-year old Rory Power. It’s safe to say that he’s been around a bit but I’ll let him tell you that himself.
-
Photography: Festa della Repubblica – Kodak EKTACHROME 100VS – E100VS (35mm)
Festa della Repubblica Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Cross Processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
-
One year of EMULSIVE – a retrospective
Today is EMULSIVE’s first birthday and what a year it’s been!
-
Photography: Don’t leave me hanging – ILFORD FP4 PLUS (120 format)
2016-05-27 – Don’t leave me hanging Ilford FP4+ shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 2+2/3