Author: EM
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EMULSIVE interview #83: I am Joffrey Carpentier and this is why I shoot film
I’ve been looking forward to this one!
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Photography: 小吃 – Kodak Tri-X 400 (35mm)
2016-05-27 – 小吃 Kodak Tri-X 400 shot at EI 1600 Black and white film in 35mm format
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Photography: Hole in the wall – Kodak T-MAX 100 (35mm)
2016-05-27 – Hole in the wall Kodak T-MAX 100 shot at EI 100 Black and white film in 35mm format
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Photography: Smoking skills – Kodak T-MAX 100 (35mm)
2016-05-27 – Smoking skills Kodak T-MAX 100 shot at EI 100 Black and white film in 35mm format
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EMULSIVE interview #82: I am Damien Mountain Woods and this is why I shoot film
We managed to grab some time with Damien Mountain Woods, Australian and recent film convert.
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Photography: Kickstarter – Ilford FP4+ (35mm)
Kickstarter Ilford FP4+ shot at EI 400 Black and white film in 35mm format
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Photography: Free space – ILFORD Delta 400 Professional shot at EI 400 (35mm format)
Free space ILFORD Delta 400 Professional shot at EI 400Black and white film in 35mm format Free space – Ilford Delta 400 Professional shot at EI 400.
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EMULSIVE interview #81: I am Drew Amyot and this is why I shoot film
Today’s interviewee is Drew Amyot, Nova Scotian born and raised.
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Photography: At play – Shot on Ilford FP4+ (35mm)
At play Shot on Ilford FP4+ at EI 400 Black and white film in 35mm format Push processed 1+1/3 stops
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Photography: Betel nut zip line – Shot on ILFORD Delta 400 Professional (35mm format)
Betel nut zip line Shot on Ilford Delta 400 Professional at EI 800 Black and white film in 35mm format Push processed one stop
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Photography: Cold rolled steel – Kodak T-MAX 100 TMX (120)
Cold rolled steel Shot on Kodak T-MAX 100 at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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EMULSIVE interview #80: I am Nick Prideaux and this is why I shoot film
Today we’re talking to Australian Nick Prideaux, transplanted to Bangkok after an extended stint in Tokyo for the past five years. I guess you could call Nick a purist for the most part.
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Photography: Elbow grease – Kodak T-MAX 100 (120)
2016-05-19 – Elbow grease Kodak T-MAX 100 shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 3 stops
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The EMULSIVE x ILFORD PHOTO Community Interview: submit your questions
Hot on the heels of our recent EMULSIVE x Lomography Community Interview, we’re back with another member of the film photography industry eager for your questions. This time, it’s young industry upstart ILFORD PHOTO and this is your chance to
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EMULSIVE interview #79: I am Joe Smith and this is why I shoot film
Here’s something a little different.
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Photography: Waiting for first catch – Kodak T-MAX 400 TMY 6053 (120)
Waiting for first catch – 2016-05-17 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: All wrapped up – Kodak T-MAX 400 TMY 6053 (120)
All wrapped up – 2016-05-16 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop