Author: EM
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film
We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains. Over
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Photography: Come and get ’em – Ilford FP4+ (120)
2016-05-12 – Come and get ’em Ilford FP4+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Turquoise and red – Shot on Fuji Velvia 50 – RVP50 (120)
Turquoise and red Fuji Velvia 50 (RVP) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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EMULSIVE interview #77: I am Lucy Wainwright and this is why I shoot film
Today we’re sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright. Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.
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Photography: Moored – Fuji Provia 100F RPDIII (120)
Moored Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed Read the Fuji Provia 100F (RDP III) review here.
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EMULSIVE x Lomography community interview: results time
A little over two months ago, we invited you all to submit your questions to Lomography for the first in a new series of community interviews here on #EMULSIVE.
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Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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EMULSIVE interview #76: I am Melvin Mapa and this is why I shoot film
We often see the phrase “a long time coming” but what does that really mean? Well, in this case, it’s nine months. That’s how long we’ve been working on this with Melvin.
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Photography: Last of the sakura – Fuji Pro 400H (120)
Last of the sakura – 2015-05-05 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: 茶 / Chá / Tea – Kodak Portra 400 (120)
茶 / Chá / Tea – 2015-05-04 Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 This image is featured on the 52 Rolls update for week 10-13 2016!
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EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough. So, it seems like the perfect time to bring you the work of another young
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Photography: Besom 02 – Fuji Pro 400H (120)
Besom 02 – 2015-05-03 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x teleconverter
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Photography: Meshed up – Kodak Portra 400VC (120)
Meshed up – 2015-05-02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Blue steel – Kodak Portra 100T (120)
Blue steel Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #74: I am Brian Miner and this is why I shoot film
35mm, medium format, large format…today’s interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he’s into year two of an ongoing large format 365 project.
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Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
To infinity Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format
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Photography: Budding – Efke R25 (120)
Budding Shot on Efke R25 at EI 25 Black and white negative in 120 format shot as 6×6