Author: EM
-
EMULSIVE interview #94: I am R E Hengsterman and this is why I shoot film
We’re lucky to have perpetual film photographer R E Hengsterman with us today – you can call him Rob if you’re nice. Rob has a lot to say…a LOT to say, so grab a cup of coffee or cold jug
-
Photography: Quadriptych – Fujicolor Industrial 400 (35mm)
Quadriptych Shot on Fujicolor Industrial 400 at EI 400 35mm color negative film shot as half frame
-
Photography: Incensed – Kodak Ektar 100 (35mm)
Incensed Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
-
EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film
If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.
-
Photography: Maintenance required – Kodak ULTRAMAX 400 (35mm)
Maintenance required Shot on Kodak ULTRAMAX 400 at EI 1600 Color negative film in 35mm format Push processed two stops
-
Photography: Property of the VOC – Fuji Neopan 400 (35mm)
Property of the VOC* Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format *Vereenigde Oost-Indische Compagnie / East Dutch India Company
-
Photography: Needles in the sky – Fuji Neopan 400 (35mm)
Needles in the sky Shot on Fuji Neopan 400 at EI 200 Black and white negative film in 35mm format Expired and over exposed one stop
-
EMULSIVE interview #92: I am Chris Maliga and this is why I shoot film
Chris Maliga’s work has been displayed up and down the US. His work is haunting, can be claustrophobic and often leaves the viewer with a feeling of an image half seen or absorbed.
-
Photography: Just a trim – Agfa APX 400 (35mm)
Just a trim Shot on Agfa APX 400 at EI 400 Black and white negative film in 35mm format
-
Photography: Resurfaced – Shot on Kodak Tri-X 400 at EI 3200 (35mm)
Resurfaced Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
EMULSIVE interview #91: I am John B Crane and this is why I shoot film
Certain readers may recognise today’s interviewee as the man behind www.nikonf6.net. I prefer to call him John.
-
Photography: Sleeper – Fuji Neopan SS 100 (35mm)
Sleeper Shot on Fuji Neopan SS 100 at EI 100 Black and white negative film in 35mm format
-
EMULSIVE interview #90: I am Walter Rothwell and this is why I shoot film
A big welcome to Walter Rothwell! Well travelled and widely exhibited, it’s a real pleasure to be able to share the work of such a relented and experienced photographer on these pages.
-
Photography: Bamboozled – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm)
Bamboozled Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+2/3 stops
-
EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)
I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.
-
Photography: Looking out – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Looking out Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white film in 35mm format Push processed 1+2/3 stops
-
EMULSIVE interview #89: I am Greg McKnight and this is why I shoot film
Today’s interviewee sold all of his digital camera gear in 2015.
-
Photography: For whom the bell tolls – Rollei Infrared 400 (35mm)
For whom the bell tolls Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
-
The Mercury Project: the answer’s yes, now what’s your question?
If you’re reading this then you’ve probably already come across Mercury Works’ Universal Camera project, currently steaming towards a modest $50,000 goal on Kickstarter. When I first came across the project I was intrigued to say the least.