Author: EM
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Photography: Hibiscus – Agfa APX 400 Professional (35mm)
2016-07-28 – Hibiscus Agfa APX 400 Professional shot at EI 400 Black and white negative film in 35mm format
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EMULSIVE interview #99: I am Dean Bennici and this is why I shoot film
It’s difficult to understate Dean Bennici’s importance to the world of color infrared photography.
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Photography: Gold and jade – Fujicolor Industrial 400 (35mm)
Gold and jade Shot on Fujicolor Industrial 400 at EI 400 Color negative film in 35mm format
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Photography: Letters to the editor – Ilford HP5+ (35mm)
Letters to the editor Shot on Ilford HP5+ at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Nice – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Nice Shot at Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 Color negative film in 35mm format
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Photography: Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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EMULSIVE interview #98: I am LA Lyles and this is why I shoot film
Today’s interviewee stumbled into film photography as a result of not wanting to be left out of all the fun that was going on around her. I’m incredibly glad that she did and I’m sure you will be too, after
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Photography: …long into the night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485
…long into the night Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800. Black and white negative film in 35mm format. Push processed one-stop.
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Photography: Scattered – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Scattered Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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EMULSIVE interview #97: I am Lorraine Healy and this is why I shoot film
No matter how you feel about Holgas, you have to admit that they’re iconic.
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Photography: Into the distance – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Into the distance Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Pipes – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Pipes Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Film stock review: Fomapan 400 Action / Arista EDU Ultra 400 plus infrared uses
I first tried Foma Bohemia’s films in around 2008 when I moved to the Czech Republic.
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Photography: Darkness and light – Kodak EKTACHROME E200 (120)
Darkness and light Shot on Kodak EKTACHROME E200 at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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EMULSIVE interview #96: I am David Rothschild and this is why I shoot film
Today’s interviewee is a real treat, I’m honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses. Over to you, David. Hi
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EMULSIVE interview #95: I am Robert Marsters and this is why I shoot film
When the opportunity came up to grab some time with today’s interviewee, I couldn’t help but fall over myself to grab it with both hands. You see, Robert Marsters is a bit of a conundrum.
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Photography: Underside – Kodak EKTACHROME E200 (120)
Underside Shot on Kodak EKTACHROME E200 at EI100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed