Author: EM
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Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format
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Photography: Everyday wear and tear excluded – Kodak Ektar 100
Everyday wear and tear excluded Kodak Ektar 100 shot at EI 100Color negative film in 35mm format Everyday wear and tear excludedKodak Ektar 100 shot at EI 100.Color negative film in 35mm format.
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Photography: Justice – Fuji 400 Premium (35mm)
Justice Fuji 400 Premium shot at EI 400Color negative film in 35mm format JusticeFuji 400 Premium shot at EI 400.Color negative film in 35mm format.
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Photography: Morning layers #01 – Kodak Portra 160NC (35mm)
Morning layers #01 Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format
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EMULSIVE interview #101: I am John Nanian and this is why I shoot film
You’ll forgive the week’s break after interview 100, I hope. Well, break over and back to normal here are EMULSIVE HQ – no rest for the wicked. It’s proving quite tough to introduce today’s interviewee.
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Photography: …through yonder window – Fuji Neopan 400 (35mm)
2016-07-17 – …through yonder window Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: My spot – Fujicolor 100 (35mm)
2016-08-16 – My spot Fujicolor 100 shot at EI 100 Color negative film in 35mm format Expired film
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EMULSIVE x ILFORD community interview: results time
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE.
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Photography: Tools of the trade – Kodak PROFOTO 100 (35mm)
2016-08-15 – Tools of the trade Kodak PROFOTO 100 shot at EI 100 Color negative film in 35mm format
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Photography: Cloud machine – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Cloud machine Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800 Color negative film in 35mm format
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Photography: Forest floor – Ilford Delta 400 Professional (35mm)
Forest floor Shot on Ilford Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Razor thin – Agfa APX 400 Professional
Razor thin Shot on Agfa APX 400 Professional at EI 400 Black and white negative film in 35mm format
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Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops
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Photography: Some maintenance required – Fuji Press 800 (35mm)
2016-08-06 – Some maintenance required Fuji Press 800 shot at EI 800 Color negative film in 35mm format
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Photography: Arch-ception – Shot on Fujicolor 100 at EI 100 (35mm format)
Arch-ception Shot on Fujicolor 100 shot at EI 100Color negative film in 35mm format Arch-ceptionFujicolor 100 shot at EI 100.Color negative film in 35mm format.
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EMULSIVE interview #100: I am Hudson Jacobs and this is why I shoot film
In his own words today’s photographer is a fourteen year old colour blind, far sighted and close sighted photographer…who uses film. With that out of the way, it’s not only time for the latest EMULSIVE interview but also time for
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Photography: Peppercorn alley – Kodak Hawkeye Traffic Surveillance Color Film 2486
2016-08-03 – Peppercorn alley Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800. Color negative film in 35mm format.
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Photography: Rapids – Ilford Delta 400 Professional (35mm)
Rapids Shot on ILFORD Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Waiting – Fuji Pro 160NS (120)
2016-08-01 – Waiting Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6×6 Push processed 1+1/3 stops
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Photography: Don’t mind me – Shot on Fuji NEOPAN SS 100 at EI 100 (35mm format)
Don’t mind me Fuji Neopan SS 100 shot at EI 100 Black and white negative film in 35mm format