Author: EM
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Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)
Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110
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Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
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EMULSIVE Secret Santa 2018 – Sponsors and community causes
UPDATE: Community Causes nominations extended to December 31st! Sponsors have always been a big part of EMULSIVE Santa and 2018’s event is bringing a big change that’s going to allows us to give even more back to the community. For
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Hundred Heroines: join The Royal Photographic Society in celebrating inspirational women in photography
Launched earlier this summer, The Royal Photographic Society’s Hundred Heroines is an international campaign celebrating women in photography today.
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Photography: Ignominious defeat – Shot on ORWO N74 plus at EI 400 (35mm format)
Ignominious defeat Shot on ORWO N74 plus at EI 400 Black and white negative film in 35mm format Development notes Rodinal: 1+100, 21°C/70°F, 60:00 (N) No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse  
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Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #02 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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EMULSIVE interview #186: I am David Allen and this is why I shoot film
I think one of the first interactions I had with David was in Feb 2017 when he commented “best thread ever” on a Twitter thread I was involved in, which included a stock photo of two shirtless elderly gentlemen having
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Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
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The definitive analogue photography podcast list AKA soothe the soul and inspire the heart: UPDATE #5
It feels like there’s been an explosion of new films and analogue photography podcasts hit the air this year.
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Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Magazine: Pre-order Let’s Explore Magazine issue 02
Here I am, back at it, trying to find the words to express my gratitude towards the film photography community for their continuous support and trying to explain what on earth possesses me to keep making this magazine. Ever since
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Photography: Street art – Shot on Fuji Superia 400 Premium at EI 400 (35mm format)
Street art Shot on Fuji Superia 400 Premium at EI 400 Color negative film in 35mm format
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Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Over processed one stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
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Every single film stock still made today – Part 6: Shanghai to Yodica (v2)
Update 01: 2018-09-20 Welcome to part six of this series exploring every single film stock still being made today.
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Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)
Not in stock Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)
Load bearing Shot on Lomography Lady Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops. Development notes: Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2) No presoak, 1-minute initial agitation
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Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)
Light traffic Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
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Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)
My pond has no fish Shot on ILFORD FP4 PLUS at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 1 2/3 stops Read the ILFORD FP4 PLUS review
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
