Author: EM
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Photography: Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 (120 format)
Seventeen sticks Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
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Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6×6 Pull processed one stop
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Photography: Bound – Shot on Fuji Superia 100 at EI 100 (35mm format)
Bound Shot on Fuji Superia 100 at EI 100 Color negative film in 35mm format
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EMULSIVE Secret Santa 2018 – Public registration is now open
Update 2018-11-05: Registration is now closed at 1200+ players in 54 countries but you can and should still make a “Community Causes” nomination or two for this year’s event! Update 2018-09-03: EMULSIVE Santa 2018 official sponsor and “Community Causes” announcement
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Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6×6 Push processed seven stops
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Magazine: PhotoKlassik International – Issue one on Kickstarter
PhotoKlassik International is back on Kickstarter shooting for a late September 2018 launch at this year’s Photokina.
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Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter Read the Bergger Pancro 400 film reviews here.
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EMULSIVE July 2018: month in review
Welcome to the month that was July 2018 here on EMULSIVE: 31 days, 22 daily photos and 24 articles. I’ve got my personal favourites, naturally but this isn’t about my weird likes, no.
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Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops
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EMULSIVE interview #185: I am Tony Vaccaro and this is why I shoot film
It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it in his role as World War II combatant and documentarian, or his post-war work in fashion and portrait photography.
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Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Picnic time Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: 5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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EMULSIVE Secret Santa 2018 Preregistration is now live
Last year’s EMULSIVE Secret Santa event was an unabated success, with 783 players in 46 countries participating to spread the analogue photography joy.
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Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm format)
Tricolore #02 Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6
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Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
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EMULSIVE June 2018: month in review
Welcome to the month that was June 2018: 30 days, 21 daily photos and 26 articles…all just in time for the end of July.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
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