5 Frames… Of social deprivation in the English West Midlands on Rollei RPX 400 and a Yashica Mat-124G – by Tim Baker
Growing up in the digital age, I took the leap into film photography a year ago shooting a roll of Rollei RPX 400 on a …
Growing up in the digital age, I took the leap into film photography a year ago shooting a roll of Rollei RPX 400 on a …
In order to reduce the number of folks that are visiting Yosemite National Park due to Covid-19, only a handful of park passes were being …
There was a time in my life when I shot nothing but film, never professionally but only for my pleasure. My weapons of choice were …
From the start of my “film shooters career” I was shooting either negative color film or BW negative film. My favorite emulsions were and still …
When the easing of lockdown rules came into play in the UK I was concerned. I didn’t want the nation to rush things and for …
“Earlier this year, I came across a couple of rolls ILFORD FP4 PLUS while shopping for a camera strap for my Fujifilm X100F at a …
Read more5 Frames… On ILFORD FP4 PLUS (EI 100 / 120 format / Yashica Mat-124G) – by Nikil Jonathan
This small article was born from a meeting, that of my beautiful Yashica-MAT 124 G, just returned from a CLA by a famous American repairman …
I’m constantly getting back to this thought and feel it’s about time to share something with you that comes very close to my inner monologue. …
Read moreEssay: It’s all been done before so why bother taking photographs?
Over the last few years, I have become a landscape photographer. It was not a conscious choice but now I embrace it.
The Kayen and the Kayah. Two groups of people who live in the south-east of Myanmar, formally known as Burma. Living in the rich mountainous …
Read moreTravelogue: People of Myanmar, the Kayan and Kayah…
On Valentine’s Day 2018, I stopped by my school’s photo lab on a whim and was unexpectedly treated to blindly pick from a grab bag of various films.
Pumped-up
Shot on Kodak Ektar 100 at EI 100
Color negative film in 120 format shot as 6×6
My return to film was not a definite decision I made one day, but more of an evolvement of my feeling towards photography.
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
Today’s interview is a bit of a treat, as well as a precursor for things to come.
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.
Reach down
Shot on Fuji Pro 160NPC at EI 100
Color negative film in 120 format shot as 6×6