Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
Tag: Ultrafine Extreme 400
5 Frames… With Ultrafine Extreme 400 (EI 400 / 35mm format / Olympus MJU III 80)
Everyone seems to be on a point and shoot camera craze these days. Thanks to celebrities toting these small and pocketable shooters, their popularity (and price) have skyrocketed in recent years. You have the usual suspects: Contax T2/T3, distant cousin the Yashica T4/T5 super, Nikon 35/28 Ti, Ricoh GR, and the very tiny Olympus Stylus […]
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]
5 Frames… With Ultrafine eXtreme 400 (EI 400 / 35mm format / Nikon F4)
First, let me say that the Nikon F4 gets no respect. I am just going to lay that out there. Okay, so now on to the film. All of my film problems can be traced back to The FPP…
The Frugal Film Project: the project that turned into something else: halfway update
Halfway through… six months in already? How did that happen… didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose…
Every single film stock still made today – Part 6: Shanghai to Yodica (v2)
Update 01: 2018-09-20
Welcome to part six of this series exploring every single film stock still being made today.
Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive
UPDATE 01 2017-04-27: Added production specifications
Standing on the shoulders of Hamish Gill’s early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I’m here to offer my thoughts on one of the very first copies
Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Photography: Filing – Ultrafine Extreme 400 (120)
Filing
Ultrafine Extreme 400 shot at EI 400
Black and white negative film in 120 format shot as 6×6
Photography: No parking – Shot on Ultrafine Xtreme 400 at EI 400 (120 format)
No parking
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×6