Tag: Slide Film – Color Reversal
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Photography: At the boat races – Shot on Fuji Sensia 100 (35mm)
At the boat races Shot on Fuji Sensia 100 shot at EI 80. Color slide film in 35mm format. Expired and cross processed.
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Experiments: cross processing and push processing Fuji Provia 100F (RDP III)
Picking up from my original Provia 100F review, I’m going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we’ll be talking about pushing, cross processing and
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Photography: Lotus-es – Shot on Wittner Chrome 200 / Agfa RSX at EI 200 (35mm format)
Lotus-es Shot on Wittner Chrome 200 (Agfa RSX 200) at EI 200. Color slide film in 35mm format.
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Photography: Surf’s out – Shot on LomoChrome XPRO 200 at EI 200 (35mm format)
Surf’s out Shot on LomoChrome XPRO 200 at EI 200. Color slide film in 35mm format.
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Photography: Let there be light – Shot on Fuji Provia 100F RDP III (120)
Let there be light Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Guarded dog – Shot on Kodak EKTACHROME E100VS (120)
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 120 format shot as 6×4.5Cross processedRead the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide
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Photography: Lotus – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Lotus Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Film notes: Kodak EKTACHROME 100VS (E100VS)
Kodak E100VS is a medium speed color reversal film (slide film), produced in 35mm and medium format. The film was retired by Kodak in 2010 but is still available “fresh” on the after market.
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Experiments: cross processing and pushing Kodak EKTACHROME 100VS (E100VS)
Picking up from the original review, I’m going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.
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Photography: Weighing the options – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Weighing the options Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
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Photography: Fade to red – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Fade to red Shot on Fuji Velvia 50 (RVP 50) at EI 50.Color slide film in 120
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Photography: Weathered – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Weathered Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.Color reversal (slide) film in 35mm format.Cross processed.
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Photography: Bougainvillea – Shot on Fuji Velvia 100 RVP100 at EI 80 (120 format)
Bougainvillea Shot on Fuji Velvia 100 RVP 100 shot at EI 80.Color reversal (slide) film
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Film stock review: Fuji Provia 100F (RDP III) color slide film in 35mm, 120 and large formats
Today we’ll be reviewing Fuji’s Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.
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Photography: Spring Cleaning – Shot on Fuji Velvia 50 RVP50 at EI 40 (120 format)
Spring Cleaning Shot on Fuji Velvia 50 (RVP 50) at EI 40.Color reversal (slide) film in 120 format
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Photography: Ajar – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Ajar Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 120 format shot as 6×4.5Push processed one stop and cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide AjarShot on Kodak EKTACHROME
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Film stock review: Kodak EKTACHROME 100VS (E100VS) color slide film – 35mm and 120 format
Kodak EKTACHROME E100VS quickly become one of my favorites for its vivid look, ability to handle high-contrast, or very bright lighting conditions and the ease at which it can be pushed past its box speed. In addition, the crazy
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