Tag: Nikon
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Photography: Sweetspot – Shot on Fuji Superia 400 Premium at EI 1600 (35mm format)
Sweetspot Shot on Fuji Superia 400 Premium at EI 1600 Color negative film in 35mm format Push processed two stops
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EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
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5 Frames… With Lomography Earl Gray 100 (EI 100 / 35mm format / Nikon F3)
This is my first use of Lomography Earl Grey 100.
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EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It’s wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell. Over to you, John! Hi John, what’s this picture, then? Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
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Photography: On tap – Shot on Kodak Profoto XL 100 (35mm)
On tap Shot on Kodak Profoto XL 100 at EI 100 Color negative film in 35mm format
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Photoset: Nature Wins
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
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EMULSIVE interview #168: I am Christopher P. Michel and this is why I shoot film
Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and it’s one I’ve been waiting for myself for quite a while. Indulge yourself and sink into the words and pictures of Christopher P.
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Photography: Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
Hanging on a prayer Shot on ILFORD PAN F PLUS at EI 50 Black and white negative film in 35mm format
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Nikon F50)
When in doubt, reach for ILFORD HP5 PLUS. This has been my film photography rule the last little while.
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EMULSIVE interview #167: I am Mike Janik and this is why I shoot film
Today’s interviewee should need no introduction but he gets one anyway.
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5 Frames… With Fuji Superia X-TRA 400 (EI 400 / 35mm format / Nikon F100)
When I returned to film a couple of years ago I shot black and white films and had them professionally processed.
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Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Coiled #03 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here
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Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)
Coiled #02 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here
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EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film
I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal. Over to you, Ante! Hi Ante, what’s this picture, then? AP
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Ekt-cars: Classic American cars on Kodak Ektar 100
Sitting in bed one recent Sunday morning, I noticed a local news item. In the town next to where I live there was going to be an American car and bike show.
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Photography: ROY STRYKER – An FSA-inspired film Documentary photography project to introduce America to Americans
I’m a dreamer. I believe the power of photographs can change America, and I have proof it’s possible.
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Photography: Translucent – Shot on FILM Ferrania FERRANIA P30 Alpha (35mm)
Translucent Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format. Reversal developed.
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Photography: Stumped – Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80 (35mm format)
Stumped Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format. Reversal developed.