Hitchcock’s California is a photographic tribute to Alfred Hitchcock by Aimee Sinclair and myself, along with an essay by Hitchcock film historian Dan Auiler. The …
In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a Fed-3 and an …
Read moreCamera review: 14 years with the “invisible” Nikon FM3a
I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!
Kodak (new) EKTACHROME E100 comparison #04
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Kodak (new) EKTACHROME E100 comparison #03
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Kodak (new) EKTACHROME E100 comparison #02
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Kodak (new) EKTACHROME E100 comparison #01
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
‘lil stunner
Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops.
Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested.
‘lil stunnerShot on Kodak
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Bound
Shot on Fuji Provia 100F (RDP
Stuffed
Shot on Wittner Chrome 200 at EI 200Color reversal (slide) film in 35mm format
StuffedShot on Wittner Chrome 200 at EI 200.Color reversal (slide) film in 35mm format.
Tussled
Shot on Fuji Provia 100F (RDP
In the shadows
Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2
Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions
Longan
Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2
Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
1000 layers
Shot on Lomography Color Negative 800 at EI 800
Color negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S
1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon
Spray
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak
Journey’s end
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial agitation
Old timer
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial
Confusion
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak
Super absorbent
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5
