Nikon FM3A

The Making of Hitchcock’s California- Vista Visions From the Camera Eye, by Robert Jones with Aimee Sinclair

The Making of Hitchcock’s California: Vista Visions From the Camera Eye, by Robert Jones with Aimee Sinclair

Hitchcock’s California is a photographic tribute to Alfred Hitchcock by Aimee Sinclair and myself, along with an essay by Hitchcock film historian Dan Auiler. The …

Read moreThe Making of Hitchcock’s California: Vista Visions From the Camera Eye, by Robert Jones with Aimee Sinclair

Camera review: 14 years with the invisible Nikon FM3a

Camera review: 14 years with the “invisible” Nikon FM3a

In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a Fed-3 and an …

Read moreCamera review: 14 years with the “invisible” Nikon FM3a

Travelling with film: my Sri Lankan travelogue

Travelling with film: My Sri Lankan travelogue

I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

'lil stunner - Shot on Kodak EKTACHROME E100 at EI 400. Color reversal (slide) film in 35mm format. Push processed two stops.

Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format

‘lil stunner

Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops.

Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested.

‘lil stunnerShot on Kodak

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

Stuffed - Shot on Wittner Chrome 200 at EI 200. Color reversal (slide) film in 35mm format.

Photography: Stuffed – Shot on Wittner Chrome 200 at EI 200 (35mm format)

Stuffed

Shot on Wittner Chrome 200 at EI 200Color reversal (slide) film in 35mm format

StuffedShot on Wittner Chrome 200 at EI 200.Color reversal (slide) film in 35mm format.

In the shadows - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.

Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)

In the shadows

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions

Longan - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.

Photography: Longan – Shot on Efke KB25 at EI 25 (35mm format)

Longan

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

1000 layers - Shot on Lomography Color Negative 800 at EI 800. Color negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2 AI-S.

Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)

1000 layers

Shot on Lomography Color Negative 800 at EI 800
Color negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon

Splash - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)

Spray
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Journey's end - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)

Journey’s end

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial agitation

Old timer - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)

Old timer

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial

Confusion - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)

Confusion

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5