Tag: Nikon F100 Film Camera
-
How to make and experiment with homemade redscale film
This article covers making and experimenting with redscale film at home.
-
Photography: Selfie – Macophot Ortho 25 (35mm)
Selfie Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format
-
Photography: Blessing and happiness for friends – Lomochrome Purple XR 100-400 (35mm)
Blessing and happiness for friends Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
-
Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development
-
Photography: Hitachi 1969 – Lomography Purple XR 100-400 (35mm)
Hitachi 1969 Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
-
Photography: Slow day – Ilford Delta 100 Professional (35mm)
Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops
-
Photography: Stone, rubber and steel – Macophot Ortho 25 – (35mm)
Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format
-
Photography: Straight up – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Straight up Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
-
Photography: Generational distractions – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Generational distractions Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
-
Photography: Tricolore #01 – Shot on Macophot Ortho 25 at EI 25 (35mm format)
Tricolore #01 Shot on Macophot Ortho 25 at EI 25 Black and white negative film in 35mm format
-
Photography: Bowed – Ilford Pan 100 (35mm)
Bowed Ilford Pan 100 shot at EI 100 Black and white negative film in 35mm format
-
Photography: Blown over over blown – New Oriental Seagull 400
Blown over over blown Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format
-
Photography: One half and two quarters – Fuji Neopan 400CN (35mm)
One half and two quarters Fuji Neopan 400CN shot at EI 200 Black and white film in 35mm format
-
EMULSIVE interview #96: I am David Rothschild and this is why I shoot film
Today’s interviewee is a real treat, I’m honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses. Over to you, David. Hi
-
Photography: At play – Shot on Ilford FP4+ (35mm)
At play Shot on Ilford FP4+ at EI 400 Black and white film in 35mm format Push processed 1+1/3 stops
-
EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
-
Film stock review: Efke KB-25 in 35mm format
Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.
-
EMULSIVE interview #16: I am Tim Dobbs and this is why I shoot film
One must keep on one’s toes when talking with the Welsh.
-
Photography: Drifted – Kodak VISION3 200T 5213 (35mm format)
Drifted Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format