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Photography: Hitachi 1969 – Lomography Purple XR 100-400 (35mm)

Hitachi 1969 Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format        

Photography: Slow day – Ilford Delta 100 Professional (35mm)

Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops        

Photography: Stone, rubber and steel – Macophot Ortho 25 – (35mm)

Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format        

Photography: Straight up – Shot on Fuji Neopan 400 at EI...

Straight up Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format        

Photography: Generational distractions – Shot on Fuji Neopan 400 at EI...

Generational distractions Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format      

Photography: Tricolore #01 – Shot on Macophot Ortho 25 at EI...

Tricolore #01 Shot on Macophot Ortho 25 at EI 25 Black and white negative film in 35mm format        

Photography: Bowed – Ilford Pan 100 (35mm)

Bowed Ilford Pan 100 shot at EI 100 Black and white negative film in 35mm format      

Photography: Blown over over blown – New Oriental Seagull 400

Blown over over blown Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format      

Photography: One half and two quarters – Fuji Neopan 400CN (35mm)

One half and two quarters Fuji Neopan 400CN shot at EI 200 Black and white film in 35mm format      

EMULSIVE interview #96: I am David Rothschild and this is why...

Today's interviewee is a real treat, I'm honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses. Over to you, David.     Hi

Photography: At play – Shot on Ilford FP4+ (35mm)

At play Shot on Ilford FP4+ at EI 400 Black and white film in 35mm format Push processed 1+1/3 stops      

EMULSIVE interview #28: I am Andrea Taurisano and this is why...

We're incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that's he's been latched to his various film

Film stock review: Efke KB-25 in 35mm format

Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.

EMULSIVE interview #16: I am Tim Dobbs and this is why...

One must keep on one's toes when talking with the Welsh.

Photography: Drifted – Kodak VISION3 200T 5213 (35mm format)

Drifted Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format