Tag: Motion Picture Film – Black and White
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EMULSIVE interview #24: I am David Toman and this is why I shoot film
Here we are again for a sit-down with another film photographer.
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EMULSIVE interview #19: I am Diz and this is why I shoot film
Is it me, or are these weeks flying by?
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Photography: Ride the big wheel – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
Ride the big wheel Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format
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Photography: Big block – Eastman Double-X 5222 (35mm)
Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm format Push processed 4+2/3 stops
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Photography: Burning CHROME – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Burning CHROME Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format
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Photography: Waving in the new – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Waving in the new Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+1/3 stops.
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Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.