Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial
Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial
Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Muckcatcher
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions
Under cover
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1
Keep your head down
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial
Area secured
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops
Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Roll up, roll up! It’s time for another update!
This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
What is it?
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Everything must go
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops BoundEastman Double-X 5222 shot at EI 1600.Black and white motion picture film in 35mm format.Push processed 2+⅔ stops.
Bamboozled
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Looking out
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white film in 35mm format
Push processed 1+2/3 stops
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
To infinity
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200
Black and white negative film in 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.