A return to film. Again… For the fourth time. Yep, FOUR TIMES. I learned on film, eventually abandoned for digital due to work, got bored … Read more
I originally set out to shoot this roll to try and nail down a few teething problems I had with starting home B&W development again. … Read more
I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that … Read more
Have you ever heard off an off-the-grid professional film photographer? You have now. Ladies and gentlemen, introducing Ryan HK. Over to you, Ryan. Hi Ryan, … Read more
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure pack of Fuji FP 100C instant film, and every time I opened said fridge I was reluctant to take it
What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today.
I’m back with the second in this series of end-of-year-lazy-posts.
I almost exclusively shoot on black and white film for the simple reason that I can develop and print it myself in the darkroom.
I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry.
This week’s interview is with talented Montrealian (Montrealite?) Jessica Hobbs.
Having read a couple of reviews on EMULSIVE from proud owners of other medium format gear (Daniel J.
The York Photographic Society have a large membership of active enthusiasts, at least 50 or so.
I’ve got more fresh blood for you today in the form of Christopher Schmidtke from Wuerzburg, Germany.
I won’t spoil it and let you all jump in;
Hailing from “rainy” Germany, todays interviewee is a man of strength, compassion and talent.
