Tag: Kodak
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My return to film: Roy Shiro
Many photographers look back at their work at the end of the year, to assess, critique, and, if you’re like me, to convince themselves that they’re moving forward with their work. This year was a bit different in some respects for me, as the end of the year marks the one-year anniversary of my move…
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Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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5 Frames… Starting with a walk through Brooklyn on Kodak Tri-X 400 and a Konica Autoreflex T3 (35mm Format / EI 400 / Konica Hexanon AR 50mm f/1.7)
I looked up to the man biking down the hill. As I waited for him to come down, I stood behind a row of parked cars waiting, camera in hand, finger on the shutter release. He came nearer. I put my eye to the viewfinder, lined up the shot, and… nothing. The button was locked;…
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Photography: Get the steps – Shot on Shanghai GP3 100 at EI 100 (120 Format)
Shot on Shanghai GP3 100 at EI 100Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 06:30 (N)2x 1-minute presoaks, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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5 Frames… Of Dublin’s Georgian Quarter on Kodak 100 T-MAX (35mm format / EI 100 / Nikon F65 + Nikon AF-S NIKKOR 50mm f/1.8G) – by Conor O’Brien
When I saw the “$20 Film Camera Challenge” article on DPReview in August 2020, I never expected to end up writing this article a year later. Being a child of the 70s and 80s, I grew up in an analogue world where a good camera was something you aspired to. You didn’t buy the latest…
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Photography: Water damage #05 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
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Photography: Water damage #04 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
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Photography: Water damage #03 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
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Photography: Water damage #01 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
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Benefits of ample exposure in black and white film photography: Or, let there be light
Detail of a component on one of the very few operating steam locomotives in the United States, Oregon Rail Heritage Center, Portland, OR. Hasselblad 503CX, Zeiss Planar f3.5 100 mm. Kodak T-MAX 100 developed in HC-110.
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Photography: Winding down – Shot on Fuji Pro 400H at EI 400 (120 Format)
Shot on Fuji Pro 400H at EI 400.Color negative film in 120 format shot as 6×9.Fuji GW690III + EBC Fujinon 90mm f/3.5.
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5 Frames… Of North Carolina 209’s Luck gas station on Kodak T-MAX 100 (35mm / EI 100 / Canon EOS 3 + Canon EF 40mm f/2.8 STM) – by Bill McMannis
The Luck gas station is a roadside landmark on North Carolina 209 is the crossroad of Luck. It is the halfway point between Hot Springs and Lake Junaluska. Despite no real parking area, this is likely the most photographed building on NC 209. In this case, I had my wife let me hop out of…
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Anatomy of a long term documentary project – by Simon King
Storytelling is an essential part of society and shapes the way we experience everything from the obvious mass media in cinema, books, music and advertising, to more subtle things like the way a restaurant might present its menu, or the way a lawyer may present a case. Stories shape us from childhood and become what…
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Photography: Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
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My First Roll… Kodak Gold 200 in a Pentax ME Super and SMC Pentax-M SMC 50mm f/1.7
I got into photography sometime around the beginning of the pandemic, I still don’t know what it was that made me stick with Pentax as my go-to brand but I saw a used Pentax ME Super being sold and I quite liked the profile and control layout but I was also going in blind. With…
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5 Frames… Back in San Diego after 5 years (Kodak Color Gold 400 / Pentax K1000 + SMC Pentax-M 50mm f/2)
I made these photos while working over the course of a few days in San Diego, my old city. I went on a quick solo visit there this past June, my first trip away from home in over 15 months and the first time I’d been back in 5 years. In between clients, I would…
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5 Frames… Biking on Akansas’ Mount Kessler with a Kodak Brownie Hawkeye and on Kodak T-MAX 400 (120 Format / EI 400) – by Jesse Camacho
Living in Arkansas, I’m always in awe of all the nature surrounding me. I can get in my car, drive, and without a doubt, end up at a hiking trail or lake. I guess that’s why they call us the “Natural State.” I took on mountain biking not too long ago. I do all of…