Kodak XTOL Developer archives on EMULSIVE

Photoset: Malcolm in Millennia – by Chris Mena

October 16, 2020December 13, 2018 by EM

Over the summer of 2018, I had the opportunity to visit Cincinnati and experience the people of The Queen City.

This is FP4 PLUS rated at EI 64. The shadows are far more under control and drop away to black in a controlled way. This is a very flexible negative that can be printed in a number of styles. The downside is that it is very demanding in terms of the flash power I needed to make the picture - Tobias Key

Film review: finding my ‘do anything’ film for 4×5….a tale of ILFORD FP4 PLUS and HP5 PLUS – by Tobias Key

August 25, 2019April 17, 2018 by Tobias Key

I have been shooting 4×5 for about five years. I use it for much of my personal work, and love the tonality and rendering it gives my images.

5 Frames… With Kodak T-MAX 100 (EI 100 / 4×5 / Linhof Technika V) – by Antonio Lastoria

April 14, 2020November 13, 2017 by Antonio Lastoria

I was recently looking through my film archives and found a number of photographs shot on Kodak T-MAX 100.

EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film

October 16, 2020November 8, 2017 by EM

I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal.
Over to you, Ante!

Hi Ante, what’s this picture, then?

"Untitled", Cabeça Gorda, Redondo, Portugal. Minolta X700, MD 50mm f1.7, loaded with Kodak T-MAX 400 exposed at EI 800 and developed in Kodak T-MAX developer. Printed on ILFORD MGIV FB Warmtone, developed in Kodak Dektol. Dektol in general seemed to produce a slightly warmer rendition.

Interview #158: I am Luis Barrancos and this is why I shoot film

October 16, 2020October 18, 2017 by EM

Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.