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film.photography

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Home » Kodak Tri-X 320 (320TXP)

Tag: Kodak Tri-X 320 (320TXP)

Detail of a component on the last operating steam locomotive in the United States, Oregon Rail Heritage Center, Portland, OR. Hasselblad 503CX, Zeiss Planar f3.5 100 mm. Kodak T-MAX 100 developed in HC-110.
Posted inOpinion

Benefits of ample exposure in black and white film photography: Or, let there be light

by Fred DelgadoDecember 4, 2021November 29, 2021

Detail of a component on one of the very few operating steam locomotives in the United States, Oregon Rail Heritage Center, Portland, OR. Hasselblad 503CX, Zeiss Planar f3.5 100 mm. Kodak T-MAX 100 developed in HC-110.

Going underground: Documenting the history, legacy, and
Posted inFeatured projects

Going underground: Documenting the history, legacy, and radioactivity of uranium mining with autoradiograms

by Jesse AndrewarthaJuly 11, 2021July 11, 2021

My Geiger counter crackled and I read the dial: one thousand counts per minute, roughly twenty-seven times normal background radiation….

The Party of Trump - Graflex Speed Graphic, ILFORD HP5 PLUS
Posted inFilm Photographer Interviews

EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

by EMJuly 8, 2020July 31, 2021

Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & Television Correspondents Association on Capitol Hill, oh and a film photographer who also happens to shoot some of our favourite film stocks (and cameras) while doing the day job. Looking […]

Rolleiflex Automat 6x6 Model 2 K4B
Posted in5 Frames..., Articles

5 Frames… With Kodak Tri-X 320 (EI 320 / 120 format / Rolleiflex Automat 6×6 Model 2 K4B)

by Christopher MassaDecember 21, 2019July 31, 2021

It had been 20 years since I handled black and white film. “Here’s a Rolleiflex with 8 rolls of Kodak Tri-X 320”, my friend said. It expired 12 years ago, but it should be OK.” Even though I had never shot with a medium format camera and I couldn’t wait to snap my first picture. […]

Reviewing the Rolleiflex 2.8GX Expression 75 years edition - it's bloody gold!
Posted inFilm camera reviews, Reviews, Rollei film camera reviews

Reviewing the Rolleiflex 2.8GX Expression 75 years edition (it’s gold!)

by Aivaras SidlaAugust 16, 2019September 4, 2021

Let’s start with the elephant in the room – this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the “Rolleiflex 2.8GX Expression 75 years edition”.

Edworthy Park - Kodak Tri-x 320TXP
Posted inArticles, Photosets and stories

Photoset: Three strikes and you’re out or, a lesson in not taking things for granted

by Eric RoseDecember 18, 2018July 31, 2021

The three strikes mentality is such a cliché these days. It’s now used as a yardstick for punishment. Whether baseball or criminal offenses.

Luise - Pentax 67 - Kodak Tri-X 320 +1
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #103: I am Raffael Stiborek and this is why I shoot film

by EMAugust 31, 2016October 16, 2020

I grabbed some time with Raffael Stiborek 28 year old photographer from Austria.
You may have already seen some of his portrait work flying around the internet but if not, you’re in for a real treat.
More from the man

Posted inFilm Photographer Interviews

EMULSIVE interview #91: I am John B Crane and this is why I shoot film

by EMJune 28, 2016July 1, 2021

Certain readers may recognise today’s interviewee as the man behind http://www.nikonf6.net. I prefer to call him John.

Lunar eclipse at Castle Rock. Fuji Velvia 4x5 - 150mm - 1 sheet, 26 exposures
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #74: I am Brian Miner and this is why I shoot film

by EMApril 28, 2016October 16, 2020

35mm, medium format, large format…today’s interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he’s into year two of an ongoing large format 365 project.

MC-finished_10
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #54: I am Marcus Carlsson and this is why I shoot film

by EMJanuary 19, 2016October 16, 2020

Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer.

We’ll be telling you more about his Analogue App a little later.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of panoramas in Grenoble on Kodak Panchromatic Separation Film 2238 (35mm Format / EI 12 / Horizon Perfekt + OF-28p 28mm f/2.8 MC lens) – by Alfonso Carpio Rovira
  • Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown Graphic
  • 6 Frames… Of macro-ish photos on ADOX COLOR MISSION 200 and a Nikkor OC 35mm + macro tube (EI 200 / 35mm Format / Nikon F)
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  3. EM on Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown GraphicMay 23, 2022
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