Kodak Hawkeye Traffic Surveillance Black and White Film 2485


My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

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What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Reviewing the CONTAX AX: autofocusing manual focus lenses

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

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When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…

Leverage - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 1600. Black and white negative film in 35mm format. Push processed two-stops.

Photography: Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

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Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Long into the night - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: …long into the night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485

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…long into the night
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800.
Black and white negative film in 35mm format.
Push processed one-stop.
 

 
 

Scattered - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: Scattered – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

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Scattered
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Into the distance - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: Into the distance – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

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Into the distance
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Pipes - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: Pipes – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

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Pipes
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Two strokes - Kodak Hawkeye 2865 surveillance film shot at EI 200. Black and white negative film in 35mm format.

Photography: Two strokes – Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm format)

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Two strokes
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 200
Black and white negative film in 35mm format