Kodak Hawkeye Traffic Surveillance Black and White Film 2485

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Reviewing the CONTAX AX: autofocusing manual focus lenses

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…

Leverage - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 1600. Black and white negative film in 35mm format. Push processed two-stops.

Photography: Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Long into the night - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: …long into the night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485

…long into the night
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800.
Black and white negative film in 35mm format.
Push processed one-stop.
 

 
 

Scattered - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: Scattered – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

Scattered
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Into the distance - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: Into the distance – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

Into the distance
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Pipes - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.

Photography: Pipes – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

Pipes
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Two strokes - Kodak Hawkeye 2865 surveillance film shot at EI 200. Black and white negative film in 35mm format.

Photography: Two strokes – Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm format)

Two strokes
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 200
Black and white negative film in 35mm format