Kodak Aero Ektar 178mm f/2.5


Autumn glow - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 4x5 format.

Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)

Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker …

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Cover - The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn

The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this

Stumps #02 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic, Kodak Aero Ektar 178mm f/2.5. Orange 21 filter.

Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Stumps #02

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Fomapan 400 Action - EI 400 - 4x5 - US Army Air Corps Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5

5 Frames… With Fomapan 400 Action (EI 400 / 4×5 format / Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5) – by Timothy Gilbert

I don’t remember exactly when or where I first learned about the Kodak Aero Ektar lens, but I immediately knew that I had to have one! Mine is mounted an Army Air Corps Speed Graphic.

Stumps #01 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic. Kodak Aero Ektar 178mm f/2.5. Orange #21 filter.

Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Stumps #01

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Transition 05 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 05

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 04 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 04

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 03 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 03

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 02

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 01 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

Veins 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178

Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Veins #02

Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan 200 review and experimentation guide.

 

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Shard - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)

Shard

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

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One down - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178

Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)

One down

Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan 200 review and experimentation guide.

 

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Breather - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)

Breather

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

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Altitude sickness - Kodak Vericolor 160 VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)

Altitude sickness
Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back

 

 

The staircase - Kodak Vericolor III VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)

The staircase
Shot on Kodak Vericolor III VPS 6006 at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back

 

 

 

Oregon Sunset - Kodak Portra 400VC shot at EI 320. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178mm f/2.5. 6x12 film back.

Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)

Oregon Sunset #02

Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back

 

 

 

 

 

In vein - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

In vein

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

 

 

 

 

 

To the light - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: To the light – Rollei INFRARED 400 (4×5)

To the light

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter