Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here. Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format) – Color reversal (slide) film in 4×5 […]
Tag: Kodak Aero Ektar 178mm f/2.5
Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #02
Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter
Read the Bergger Pancro 400 film reviews here.
5 Frames… With Fomapan 400 Action (EI 400 / 4×5 format / Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5)
I don’t remember exactly when or where I first learned about the Kodak Aero Ektar lens, but I immediately knew that I had to have one! Mine is mounted an Army Air Corps Speed Graphic.
Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01
Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter
Read the Bergger Pancro 400 film reviews here.
Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
 
Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Shard
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
 
Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Breather
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Altitude sickness
Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)
The staircase
Shot on Kodak Vericolor III VPS 6006 at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)
Oregon Sunset #02
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
In vein
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5