Kodak Aero Ektar 178mm f/2.5

Autumn glow - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 4x5 format.

Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)

Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker …

Read morePhotography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)

Cover - The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn

The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this

Stumps #02 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic, Kodak Aero Ektar 178mm f/2.5. Orange 21 filter.

Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Stumps #02

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Fomapan 400 Action - EI 400 - 4x5 - US Army Air Corps Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5

5 Frames… With Fomapan 400 Action (EI 400 / 4×5 format / Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5) – by Timothy Gilbert

I don’t remember exactly when or where I first learned about the Kodak Aero Ektar lens, but I immediately knew that I had to have one! Mine is mounted an Army Air Corps Speed Graphic.

Left on - Shot on Fuji NEOPAN 100 ACROS at EI 100. Black and white negative film in 120 format shot as 6x6. Kodak Aero Ektar 178mm f/2.5.

Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)

Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar …

Read morePhotography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)

Stumps #01 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic. Kodak Aero Ektar 178mm f/2.5. Orange #21 filter.

Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Stumps #01

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Transition 05 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 05

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 04 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 04

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 03 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 03

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 02

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 01 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

Veins 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178

Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Veins #02

Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan 200 review and experimentation guide.

 

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Shard - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)

Shard

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

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One down - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178

Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)

One down

Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan 200 review and experimentation guide.

 

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Breather - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)

Breather

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

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Altitude sickness - Kodak Vericolor 160 VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)

Altitude sickness
Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back

 

 

The staircase - Kodak Vericolor III VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)

The staircase
Shot on Kodak Vericolor III VPS 6006 at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back

 

 

 

Oregon Sunset - Kodak Portra 400VC shot at EI 320. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178mm f/2.5. 6x12 film back.

Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)

Oregon Sunset #02

Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back

 

 

 

 

 

In vein - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

In vein

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

 

 

 

 

 

To the light - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: To the light – Rollei INFRARED 400 (4×5)

To the light

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter