Photography: V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
V
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Photography: Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
Where the wild things grow
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Photography: 門 / mén / door #02 – Fuji Provia 100F RDP III (4×5)
門 / mén / door #02
Shot on Fuji Provia 100F (RDP
Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)
Bougainvillea bonsai
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 4×5 format
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Read the Fuji Provia 100F (RDP III) review here.
 
Photography: 門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 4 – reassembly
Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together.
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 3 – preparing and finishing the body
Welcome to part three of the AEROgraphic Project!
There’s no time for preamble, as this is where things start to get really interesting (and fun).
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 2 – disassembly and strip down
Welcome back for part two of the naked Aero Ektar Speed Graphic project.
Photography: Creeping up – Shot on Kodak Portra 800 at EI 800 (120 format)
Creeping up
Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6×12
Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6×12.
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 1 – introduction and required materials
This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;
Photography: Redfern – Lomography Redscale XR 50-200 (120)
Redfern
Lomography Redscale XR 50-200 shot at EI100
Color redscale negative in 120 format shot as 6×12
Kodak Aero Ektar 178/2.5
Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01
Kodak Pro 400 MC 6059 shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)
Zion NPS #01
Shot on Kodak Vericolor III (VPS 6006) shot at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
