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Tag: Kodak Aero Ektar 178mm f/2.5

Photography: Bunched up – Shot on Rollei INFRARED 400 at EI...

Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4x5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter          

Photography: Where the wild things grow – Shot on Fomapan 200...

Where the wild things grow Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4x5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5          

Photography: Out on a limb – Ultrafine Xtreme 400 (120)

Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6x12          

Photography: Off the wall – Kodak T-MAX 400 (120)

Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6x12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7" (178mm) f/2.5          

Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how...

Up until the day I was able to call it "mine" I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak's Aero Ektar lens. So why did I buy

Photography: Spring growth – Ilford Pan F+ (120)

Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6x12 Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic      

Photography: 門 / mén / door #02 – Fuji Provia 100F...

門 / mén / door #02 Shot on Fuji Provia 100F (RDP

Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)

Bougainvillea bonsai Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 4x5 format Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.  

Photography: 門 / mén / door #01 – Ilford Pan F+...

門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6x12 Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic      

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome to the final stretch. If you've made it this far then you're very close to seeing your AEROgraphic project come together.

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome to part three of the AEROgraphic Project! There's no time for preamble, as this is where things start to get really interesting (and fun).

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome back for part two of the naked Aero Ektar Speed Graphic project.

Photography: Creeping up – Shot on Kodak Portra 800 at EI...

Creeping up Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6x12 Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6x12.

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

This is the first of a six-part series in which I will describe the process of creating a "naked" Graflex Pacemaker Speed Graphic 4x5 camera and Kodak Aero Ektar lens combination;

Photography: Redfern – Lomography Redscale XR 50-200 (120)

Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as 6x12 Kodak Aero Ektar 178/2.5      

Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120...

Oregon Sunset Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6x12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6x12 film back          

Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059...

Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format shot as 6x12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6x12 film back      

Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS...

Zion NPS #01 Shot on Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6x12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6x12 film back