film.photography
To the light
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
V
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Bunched up
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Where the wild things grow
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Off the wall
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
Spring growth
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
門 / mén / door #02
Shot on Fuji Provia 100F (RDP
Bougainvillea bonsai
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 4×5 format
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Read the Fuji Provia 100F (RDP III) review here.
 
門 / mén / door #01
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together.
Welcome to part three of the AEROgraphic Project!
There’s no time for preamble, as this is where things start to get really interesting (and fun).
Welcome back for part two of the naked Aero Ektar Speed Graphic project.
Creeping up
Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6×12
Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6×12.
This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;
Redfern
Lomography Redscale XR 50-200 shot at EI100
Color redscale negative in 120 format shot as 6×12
Kodak Aero Ektar 178/2.5
Oregon Sunset
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
Death Valley Approach #01
Kodak Pro 400 MC 6059 shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
Zion NPS #01
Shot on Kodak Vericolor III (VPS 6006) shot at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
