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Home » Kodak Aero Ektar 178mm f/2.5 » Page 2

Tag: Kodak Aero Ektar 178mm f/2.5

To the light - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.
Posted inLarge format, Photography

Photography: To the light – Rollei INFRARED 400 (4×5)

by EMAugust 24, 2017October 16, 2020

To the light

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

 

 

 

 

 

V - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5
Posted inLarge format, Photography

Photography: V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

by EMAugust 23, 2017October 16, 2020

V

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

 

 

 

 

 

Bunched up - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.
Posted inLarge format, Photography

Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)

by EMAugust 22, 2017October 16, 2020

Bunched up

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

 

 

 

 

 

Where the wild things grow - Shot on Fomapan 200 Creative at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5
Posted inLarge format, Photography

Photography: Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

by EMAugust 21, 2017October 16, 2020

Where the wild things grow

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

 

 

 

 

 

Out on a limb - Shot on Ultrafine Xtreme 400 at EI 400. Black and white negative film in 120 format shot as 6x12.
Posted inMedium format, Photography

Photography: Out on a limb – Ultrafine Xtreme 400 (120)

by EMMay 17, 2017October 16, 2020

Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×12

 

 

 

 

 

Off the wall - Shot on Kodak T-MAX 400 at EI 400. Black and white negative film in 120 format shot as 6x12. Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7 (178mm) f/2.5.
Posted inMedium format, Photography

Photography: Off the wall – Kodak T-MAX 400 (120)

by EMMay 15, 2017October 16, 2020

Off the wall
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5

 

 

 

 

 

Fuji Velvia 100 - Graflex Speed Graphic - Kodak Aero Ektar 7-inch (178mm) f:2.5 (2)
Posted inGear Reviews, Lens Reviews, Reviews

Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me

by Isabel CurdesApril 21, 2017April 14, 2020

Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.

So why did I buy

Spring growth - Ilford Pan F+ shot at EI 32. Black and white negative film in 120 format shot as 6x12. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
Posted inMedium format, Photography

Photography: Spring growth – Ilford Pan F+ (120)

by EMMarch 17, 2017October 16, 2020

Spring growth
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic

 

 

 

門 / mén / door #02 - Fuji Provia 100F (RDP III) shot at EI 100. Color reversal (slide) film in 4x5 format. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
Posted inLarge format, Photography

Photography: 門 / mén / door #02 – Fuji Provia 100F RDP III (4×5)

by EMMarch 16, 2017October 16, 2020

門 / mén / door #02

Shot on Fuji Provia 100F (RDP

Bougainvillea bonsai - Fuji Provia 100F (RDP III) shot at EI 100. Color reversal (slide) film in 4x5 format. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
Posted inLarge format, Photography

Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)

by EMMarch 14, 2017October 16, 2020

Bougainvillea bonsai

Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 4×5 format
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic

Read the Fuji Provia 100F (RDP III) review here.

&nbsp

門 / mén / door - Ilford Pan F+ shot at EI 32. Black and white negative film in 120 format shot as 6x12. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic
Posted inMedium format, Photography

Photography: 門 / mén / door #01 – Ilford Pan F+ (120)

by EMMarch 13, 2017October 16, 2020

門 / mén / door #01
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic

 

 

 

Speed Graphic - Shutter mechanism and curtains removed
Posted inArticles, Guides & How-Tos

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 4 – reassembly

by EMMarch 10, 2017August 25, 2019

Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together.

Posted inArticles, Guides & How-Tos

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 3 – preparing and finishing the body

by EMMarch 3, 2017August 25, 2019

Welcome to part three of the AEROgraphic Project!

There’s no time for preamble, as this is where things start to get really interesting (and fun).

SG- Exploded - Laid out
Posted inArticles, Guides & How-Tos

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 2 – disassembly and strip down

by EMFebruary 24, 2017August 25, 2019

Welcome back for part two of the naked Aero Ektar Speed Graphic project.

Creeping up - Shot on Kodak Portra 800 shot at EI 800. Color negative film in 120 format shot as 6x12.
Posted inMedium format

Photography: Creeping up – Shot on Kodak Portra 800 at EI 800 (120 format)

by EMFebruary 24, 2017October 16, 2020

Creeping up

Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6×12

Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6×12.

AERO Peacemaker - Finished - Top/Front
Posted inGuides & How-Tos

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 1 – introduction and required materials

by EMFebruary 17, 2017August 25, 2019

This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;

Redfern - Lomography Redscale XR 50-200 shot at EI100. Color redscale negative in 120 format shot as 6x12. Kodak Aero Ektar 178/2.5.
Posted inMedium format

Photography: Redfern – Lomography Redscale XR 50-200 (120)

by EMNovember 24, 2016November 13, 2021

Redfern
Lomography Redscale XR 50-200 shot at EI100
Color redscale negative in 120 format shot as 6×12
Kodak Aero Ektar 178/2.5

 

 

 

Oregon Sunset - Kodak Portra 400VC shot at EI 320. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178-2.5. 6x12 film back.
Posted inMedium format, Photography

Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)

by EMSeptember 23, 2016October 16, 2020

Oregon Sunset
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
 

 
 

 
 

Death Valley Approach #01 - Kodak Pro 400 MC 6059 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.
Posted inMedium format, Photography

Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)

by EMSeptember 22, 2016October 16, 2020

Death Valley Approach #01
Kodak Pro 400 MC 6059 shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
 

 

 

Zion #01 - Kodak Vericolor 160 VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.
Posted inMedium format, Photography

Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)

by EMSeptember 21, 2016October 16, 2020

Zion NPS #01
Shot on Kodak Vericolor III (VPS 6006) shot at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
 

 
 

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