ISO 400
Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 - one, two and three-stops of push processing. *1
The images below form part
Photography: Starin’ at the world – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
Starin' at the world...
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)
My keystone
Shot on Fuji Superia X-TRA 400 at EI 400
Color negative film in 35mm format
I don't often ever add commentary to my daily photo posts but this one is a little special.
It’s my photographic keystone.
Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4x5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath
Photography: Ignominious defeat – Shot on ORWO N74 plus at EI 400 (35mm format)
Ignominious defeat
Shot on ORWO N74 plus at EI 400
Black and white negative film in 35mm format
Development notes
Rodinal: 1+100, 21°C/70°F, 60:00 (N)
No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse
Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5
Photography: Street art – Shot on Fuji Superia 400 Premium at EI 400 (35mm format)
Street art
Shot on Fuji Superia 400 Premium at EI 400
Color negative film in 35mm format
Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)
Load bearing
Shot on Lomography Lady Grey BW 400 at EI 1600.
Black and white negative film in 35mm format.
Push processed two stops.
Development notes:
Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2)
No presoak, 1-minute initial agitation
Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)
My pond has no fish
Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6x6
Push processed 1 2/3 stops
Read the ILFORD FP4 PLUS review
Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow
Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6x6
Push processed seven stops
Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops
Photography: Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer
Shot on Kodak Portra 400VC at EI 200
Color negative film in 120 format shot as 6x6
Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6x6
Push processed 5 stops.
Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: Curved plane – Shot on Fujicolor Industrial 400 at EI 400 (35mm format)
Curved plane
Shot on Fujicolor Industrial 400 at EI 400
Color negative film in 35mm format
Photography: Unhinged #02 – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Unhinged
Shot on Fuji Premium 400 at EI 400
Color negative film in 35mm format
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6x6
Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Mirror finish
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
