Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Starin’ at the world…
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
My keystone
Shot on Fuji Superia X-TRA 400 at EI 400
Color negative film in 35mm format
I don’t often ever add commentary to my daily photo posts but this one is a little special.
It’s my photographic keystone.
The left of right
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath
Ignominious defeat
Shot on ORWO N74 plus at EI 400
Black and white negative film in 35mm format
Development notes
Rodinal: 1+100, 21°C/70°F, 60:00 (N)
No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse
 
Super absorbent
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5
Street art
Shot on Fuji Superia 400 Premium at EI 400
Color negative film in 35mm format
No smoking
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Load bearing
Shot on Lomography Lady Grey BW 400 at EI 1600.
Black and white negative film in 35mm format.
Push processed two stops.
Development notes:
Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2)
No presoak, 1-minute initial agitation
My pond has no fish
Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops
Read the ILFORD FP4 PLUS review
Flow
Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops
Second choice
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops
Lov is the answer
Shot on Kodak Portra 400VC at EI 200
Color negative film in 120 format shot as 6×6
Claw
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5 stops.
Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
Curved plane
Shot on Fujicolor Industrial 400 at EI 400
Color negative film in 35mm format
Unhinged
Shot on Fuji Premium 400 at EI 400
Color negative film in 35mm format
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Waiting time
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6×6
Mirror finish
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
