Tag: ISO 400
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Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)
Office space Shot on Fuji NEOPAN 100 ACROS at EI 400 Black and white negative film in 35mm format Push processed 2 stops Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1 Development notes
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Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)
Pads Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×9 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02 Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 4×5 large format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter Read the Kodak AEROCHROME review / Prints available here  
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Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Cup holder as standard Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6×9. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 20°C/68°F, 05:00
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Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Seeing spots Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3) 1 minute presoak, 30 seconds initial
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Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
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Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)
No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #02 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter Read the Bergger Pancro 400 film reviews here.
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5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
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Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1 The images below form part
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Photography: Starin’ at the world – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
Starin’ at the world… Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)
My keystone Shot on Fuji Superia X-TRA 400 at EI 400 Color negative film in 35mm format I don’t often ever add commentary to my daily photo posts but this one is a little special. It’s my photographic keystone.
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Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
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Photography: Ignominious defeat – Shot on ORWO N74 plus at EI 400 (35mm format)
Ignominious defeat Shot on ORWO N74 plus at EI 400 Black and white negative film in 35mm format Development notes Rodinal: 1+100, 21°C/70°F, 60:00 (N) No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse  
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Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
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Photography: Street art – Shot on Fuji Superia 400 Premium at EI 400 (35mm format)
Street art Shot on Fuji Superia 400 Premium at EI 400 Color negative film in 35mm format