film.photography
My pond has no fish
Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops
Read the ILFORD FP4 PLUS review
Flow
Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops
Second choice
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops
Lov is the answer
Shot on Kodak Portra 400VC at EI 200
Color negative film in 120 format shot as 6×6
Claw
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5 stops.
Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
Curved plane
Shot on Fujicolor Industrial 400 at EI 400
Color negative film in 35mm format
Unhinged
Shot on Fuji Premium 400 at EI 400
Color negative film in 35mm format
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Waiting time
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6×6
Mirror finish
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
Half mast
Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6×6
Orange #21 filter
Bike share
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
In a sea of oil
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
View no more
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×45
Push processed three stops
Read the full ILFORD HP5 PLUS review here.
Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Street rider
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 35mm format
Cotton candy
Shot on Fuji Superia Premium 400 at EI 400
Color negative film in 35mm format film
Chrysalised
Shot on Fuji Superia Premium 400 at EI 400
Color negative film in 35mm format film
Just a lick
Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.
