Photography: Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast
Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6×6
Orange #21 filter
Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Bike share
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
Photography: In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
In a sea of oil
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
View no more
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×45
Push processed three stops
Read the full ILFORD HP5 PLUS review here.
Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 35mm format
Photography: Cotton candy – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Cotton candy
Shot on Fuji Superia Premium 400 at EI 400
Color negative film in 35mm format film
Photography: Chrysalised – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Chrysalised
Shot on Fuji Superia Premium 400 at EI 400
Color negative film in 35mm format film
Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick
Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.
Photography: Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat
Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400
Color negative film in 35mm format
Photography: Off peak – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Off peak
Shot on Fuji Superia Premium 400 at EI 400
Color negative film in 35mm format film
Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride
Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format
Photography: Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 35mm format
Reversal developed overexposed one-stop
Read the Bergger Pancro 400 reviews
Photography: Red and green should never be seen – Shot on Lomography F²/400 at EI 400 (35mm format)
Red and green should never be seen
Shot on Lomography F²/400 at EI 400
Color negative film in 35mm format
Photography: For one – Shot on Fuji Provia 400X RXP400 at EI 400 – 120 format
For one
Shot on Fuji Provia 400X (RXP400) at EI 400
Color reversal (slide) film in 120 format shot as 6×6
Photography: Pick and choose – Shot on Kodak Ektar 100 at EI 400 (120 format)
Pick and choose
Shot on Kodak Ektar 100 at EI 400
Color negative film in 120 format shot as 6×6
Push processed two stops
Photography: Getting a handle on things – Shot on Kodak Portra 400BW at EI 400 (120 format)
Getting a handle on things
Shot on Kodak Portra 400BW at EI 400.
Black and white negative film in 120 format shot as 6×6.
Photography: Shattered by light – Shot on Kodak Ektar 100 at EI 400 (format)
Shattered by light
Shot on Kodak Ektar 100 at EI 400
Color negative film in 120 format shot as 6×6
Push processed two stops
Photography: Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Light shower
Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops
Photography: Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Nailed it
Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops
