Tag: ISO 12800

ClawILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6x6 Push processed 5 stops. Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute

Alley 35 Ilford Delta 400 Professional shot at EI 12800 Black and white negative film in 120 format shot at 6x6 Push processed 5-stops     

Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6x6 Push processed 5-stops     

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.

Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6x4.5 Push processed five stops Read the Kodak Tri-X 400 review here. ...and don't forget about the Tri-X 400 push

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Another quick reference guide for you all.  This time it's Kodak Tri-X 400.  As this article proved, Tri-X 400 is is the best film black and white film in the world...if you want a certain look.

Kodak TRI-X 400 is the film you want if you're looking for a consistently flexible film that's reliable in all kinds of conditions and to be fair, if you're reading this, you're probably already shooting it.