Tag: ISO 12800
Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120...
Claw
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6x6
Push processed 5 stops.
Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: Alley 35 – Ilford Delta 400 Professional
Alley 35
Ilford Delta 400 Professional shot at EI 12800
Black and white negative film in 120 format shot at 6x6
Push processed 5-stops
Photography: Thinking it over – Shot on ILFORD HP5 PLUS at...
Thinking it over
Shot on ILFORD HP5 PLUS at EI 12800
Black and white negative film in 120 format shot as 6x6
Push processed 5-stops
Black and white film high EI shootout part 1: Kodak Tri-X...
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI...
Mesh-ing around
Shot on Kodak Tri-X 400 at EI 12800
Black and white negative film in 120 format shot as 6x4.5
Push processed five stops
Read the Kodak Tri-X 400 review here.
...and don't forget about the Tri-X 400 push
Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+...
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it's Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world...if you want a certain look.
Film stock review: Kodak TRI-X 400 black and white negative film...
Kodak TRI-X 400 is the film you want if you're looking for a consistently flexible film that's reliable in all kinds of conditions and to be fair, if you're reading this, you're probably already shooting it.
