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Home » ISO 12800

Tag: ISO 12800

Claw - ILFORD HP5 PLUS shot at EI 12800. Black and white negative film in 120 format shot as 6x6. Push processed 5 stops.
Posted inMedium format, Photography

Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)

Avatar - EMby EMJuly 27, 2018July 31, 2021

Claw

ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5 stops.

 

Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute

Alley 35 - Ilford Delta 400 Professional shot at ISO12800. Black and white negative film in 120 format shot at 6x6. Push processed 5-stops.
Posted inMedium format, Photography

Photography: Alley 35 – Ilford Delta 400 Professional

Avatar - EMby EMJanuary 22, 2016October 16, 2020

Alley 35
Ilford Delta 400 Professional shot at EI 12800
Black and white negative film in 120 format shot at 6×6
Push processed 5-stops

 

 

 

 

 

Thinking it over - Ilford HP5+ shot at ISO12800. Black and white negative film in 120 format shot at 6x6. Push processed 5-stops.
Posted inMedium format, Photography

Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)

Avatar - EMby EMJanuary 21, 2016October 16, 2020

Thinking it over
Shot on ILFORD HP5 PLUS at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5-stops

 

 

 

 

 

Claw - ILFORD HP5 PLUS shot at EI 12800. Black and white negative film in 120 format shot as 6x6. Push processed 5 stops.
Posted inExperiments, Film stock reviews, ILFORD Film Stock Reviews, Kodak Film Stock Reviews, Reviews

Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800

Avatar - EMby EMJanuary 20, 2016October 16, 2020

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.

Mesh-ing around - Kodak Tri-X 400 shot at ISO12800
Posted inMedium format, Photography

Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)

Avatar - EMby EMSeptember 14, 2015October 16, 2020

Mesh-ing around
Shot on Kodak Tri-X 400 at EI 12800
Black and white negative film in 120 format shot as 6×4.5
Push processed five stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push

Experiments: Kodak Tri-X 400
Posted inKodak Film Stock Reviews

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)

Avatar - EMby EMJune 25, 2015October 16, 2020

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Posted inKodak Film Stock Reviews

Film notes: Kodak Tri-X 400 (400TX)

Avatar - EMby EMJune 23, 2015October 16, 2020

Another quick reference guide for you all.  This time it’s Kodak Tri-X 400.  As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.

Cover - Kodak Tri-X 400 review
Posted inKodak Film Stock Reviews

Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats

Avatar - EMby EMJune 9, 2015October 16, 2020

Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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