Claw
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5 stops.
Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
Alley 35
Ilford Delta 400 Professional shot at EI 12800
Black and white negative film in 120 format shot at 6×6
Push processed 5-stops
Thinking it over
Shot on ILFORD HP5 PLUS at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5-stops
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
Mesh-ing around
Shot on Kodak Tri-X 400 at EI 12800
Black and white negative film in 120 format shot as 6×4.5
Push processed five stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
