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Home » Fujifilm FUJICHROME Velvia (RVP)

Tag: Fujifilm FUJICHROME Velvia (RVP)

Yashica-635 with Fujifilm FUJICHROME Velvia RVP slides
Posted in5 Frames..., Articles

5 Frames… in Iceland with 16-year expired Fujifilm FUJICHROME Velvia RVP (EI 50 / 120 format / Yashica-635)

Avatar - Or Sachsby Or SachsMarch 14, 2020July 31, 2021

Last summer my girlfriend and I went on a 14-day trip to Iceland. I Packed four Cameras, a Yashica-635, Leica P, Olympus MJU, and Sony A7R II, along with three types of films: Kodak Portra 400, Fujifilm Velvia (RVP), and Kodak T-MAX 400 but the real JAM was my original Fujifilm FUJICHROME Velvia (RVP). a […]

Cover - Camera Review - ZEISS IKON NETTAR II 518-16
Posted inFilm camera reviews, Reviews, Zeiss Ikon film camera reviews

Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera

by David HumeJuly 10, 2018July 31, 2021

I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.

Fuji Velvia RVP EI 50
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Leica M6)

Avatar - Eugene Keoghby Eugene KeoghFebruary 23, 2018July 31, 2021

1990 was a good year.

The world looked on as the Berlin Wall fell and Germany embraced reunification. I bought a Canon AE1.

Sam Naylor - Fuji Velvia (RVP) - Pentax MV-1
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Pentax MV-1)

Avatar - Sam Naylorby Sam NaylorDecember 15, 2017July 3, 2021

EMULSIVE: a quick editor’s note. This isn’t Fuji Velvia 50 (RVP 50), it’s the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.

Effectively using Fuji Velvia 50 and other slide films
Posted inArticles, Experiments

Effectively shooting Fuji Velvia 50 and other slide films

by Roger HarrisonFebruary 10, 2017July 3, 2021

Fuji Velvia 50 is my favourite colour film. The colours, saturation and contrast are unique. It’s especially good for golden hour colours around dawn and sunset.

Posted inFilm Photographer Interviews

EMULSIVE interview #91: I am John B Crane and this is why I shoot film

Avatar - EMby EMJune 28, 2016July 1, 2021

Certain readers may recognise today’s interviewee as the man behind http://www.nikonf6.net. I prefer to call him John.

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