Fomapan 100 Classic

5 Frames… Of Laurel Hill Cemetery on Fomapan 100 Classic (120 Format / EI 100 / Zeiss Ikon Super Ikonta A 531 + 7cm Tessar) – by Neil Kohl

The weather is getting colder so any temperate day is a good excuse to go for a walk. With the pandemic worsening, the only crowds …

Read more5 Frames… Of Laurel Hill Cemetery on Fomapan 100 Classic (120 Format / EI 100 / Zeiss Ikon Super Ikonta A 531 + 7cm Tessar) – by Neil Kohl

My Pentax Spotmatic SP + Takumar 55mm f:1.8, Martin Kelley

5 Frames… Of the Jurassic Coast on Fomapan 100 Classic (EI 100 / 35mm Format / Pentax Spotmatic SP + Takumar 55mm f/1.8) – by Martin Kelley

On a grey drizzly day, when my mood fitted the weather perfectly, I loaded my first ever roll of Fomapan 100 Classic into my Spotmatic …

Read more5 Frames… Of the Jurassic Coast on Fomapan 100 Classic (EI 100 / 35mm Format / Pentax Spotmatic SP + Takumar 55mm f/1.8) – by Martin Kelley

My Linhof Technika 5x7, Lars Bunch

5 Frames… Helping me contemplate my questionable life choices on 5×7 Arista EDU Ultra 100 (EI 200 / 5×7 Format / Linhof Technika) – by Lars Bunch

This is what I was thinking… “Golly, that 5×7 camera is going for a good price. Anyway, I can always sell the lens (who am …

Read more5 Frames… Helping me contemplate my questionable life choices on 5×7 Arista EDU Ultra 100 (EI 200 / 5×7 Format / Linhof Technika) – by Lars Bunch

My Olympus XA2

5 Frames… Climbing County Kerry’s Carrauntoohil on Fomapan 100 Classic (35mm Format / EI 100 / Olympus XA2) – by Jannik

Growing up in Cape Town, I am very much an outdoor type of guy. I grew up going to the beach for Christmas, bodyboarding and …

Read more5 Frames… Climbing County Kerry’s Carrauntoohil on Fomapan 100 Classic (35mm Format / EI 100 / Olympus XA2) – by Jannik

My Yashica 635

5 Frames… With Fomapan 100 Classic (EI 100 / 120 format / Yashica 635) – by Lester Flores Montejo

When someone from Saint Petersburg Russia sends you a few rolls of film, I think they have to be shot with something interesting. Thanks to …

Read more5 Frames… With Fomapan 100 Classic (EI 100 / 120 format / Yashica 635) – by Lester Flores Montejo

5 Frames With... Fomapan 100 Classic (EI 100 / 120 / Mamiya RB67 Professional S) - by Joe Brayford

5 Frames… Getting to know my Mamiya RB67 on Fomapan 100 Classic (EI 100 / 120 format / Mamiya RB67 Professional S) – by Joe Brayford

I originally set out to shoot this roll to try and nail down a few teething problems I had with starting home B&W development again. …

Read more5 Frames… Getting to know my Mamiya RB67 on Fomapan 100 Classic (EI 100 / 120 format / Mamiya RB67 Professional S) – by Joe Brayford

Frugal Film Project

The Frugal Film Project: the project that turned into something else: halfway update – by Sherry Christensen

Halfway through… six months in already? How did that happen… didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose…

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018.

Cover - Review - Intrepid 4x5

Camera review: getting back on the bike with the Intrepid 4×5 – by Phil Harrison

It sounds very grand when you tell people that you are having a field camera made for you. I certainly felt grand and excited when I placed my order for an Intrepid 4×5 with blue bellows and lens board.

Vergiss by fin dac, Mamiya Press Super 23, 100mm 3.5, Kodak Portra 400, EI 100

EMULSIVE interview #122: I am Kikie Wilkins and this is why I shoot film

Welcome one and all!

Southeast Waterfront, Washington D.C. Fuji GA645, Ektar 100.

EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film

Today we’re sitting down with film photographer Jamelle Bouie.

Toward Ramsey St Mary - Fenland 2015

EMULSIVE interview #43: I am Andrew Bartram and this is why I shoot film

35mm, medium format, instant and Large format; they’re all fair game for today’s interviewee, Andrew Bartram.

EMULSIVE interview #6: I am Antonio Biagiotti and this is why I shoot film

Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii.