5 Frames… Of in-focus shots with a Nikonos III on Arista.EDU Ultra 100 (120 Format / EI 200) – by Brian DuBois
Most of us that have been around film photography for a long time know the Nikon Nikonos underwater camera. It was always a bit of a …
5 Frames… On the high-impact polystyrene Ami 6×6 with Arista.EDU Ultra 100 (EI ??? / 120 format) – by Brian DuBois
5 Frames… On the high-impact polystyrene Ami 6×6 with Arista.EDU Ultra 100 (EI ??? / 120 format) – by Brian DuBois I love Black and …
5 Frames… Of Laurel Hill Cemetery on Fomapan 100 Classic (120 Format / EI 100 / Zeiss Ikon Super Ikonta A 531 + 7cm Tessar) – by Neil Kohl
The weather is getting colder so any temperate day is a good excuse to go for a walk. With the pandemic worsening, the only crowds …
5 Frames… Of the Jurassic Coast on Fomapan 100 Classic (EI 100 / 35mm Format / Pentax Spotmatic SP + Takumar 55mm f/1.8) – by Martin Kelley
On a grey drizzly day, when my mood fitted the weather perfectly, I loaded my first ever roll of Fomapan 100 Classic into my Spotmatic …
5 Frames… Helping me contemplate my questionable life choices on 5×7 Arista EDU Ultra 100 (EI 200 / 5×7 Format / Linhof Technika) – by Lars Bunch
This is what I was thinking… “Golly, that 5×7 camera is going for a good price. Anyway, I can always sell the lens (who am …
5 Frames… Climbing County Kerry’s Carrauntoohil on Fomapan 100 Classic (35mm Format / EI 100 / Olympus XA2) – by Jannik
Growing up in Cape Town, I am very much an outdoor type of guy. I grew up going to the beach for Christmas, bodyboarding and …
5 Frames… With Fomapan 100 Classic (EI 100 / 120 format / Yashica 635) – by Lester Flores Montejo
When someone from Saint Petersburg Russia sends you a few rolls of film, I think they have to be shot with something interesting. Thanks to …
5 Frames… Getting to know my Mamiya RB67 on Fomapan 100 Classic (EI 100 / 120 format / Mamiya RB67 Professional S) – by Joe Brayford
I originally set out to shoot this roll to try and nail down a few teething problems I had with starting home B&W development again. …
The Frugal Film Project: the project that turned into something else: halfway update – by Sherry Christensen
Halfway through… six months in already? How did that happen… didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose…
Foma Bohemia celebrates upcoming 100 year anniversary with new packaging
With their 100-year anniversary coming up in 2021, Foma Bohemia, makers of FOMAPAN black and white photographic film and papers is popping the cork a little early with three new, limited edition “retro” 1930s styled box art for its
5 Frames… With Fomapan 100 Classic (EI 25 / 120 format / Hasselblad 500CM) – by Fuji Pham
A few weeks ago I travelled to Con Dao island in Southern Vietnam – one of the very few destinations which are yet to be destroyed by the growing tourism industry in this country.
I expected some dramatic seascapes
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
5 Frames… With Fomapan 100 Classic (EI 100 / 4×5 format / DIY Pinhole) – by Jens Kotlenga
Some time ago I read about a workshop dedicated to instructing participants in building their own pinhole camera and venturing into the field to record some images. Somehow this idea resonated with me.
Camera review: getting back on the bike with the Intrepid 4×5 – by Phil Harrison
It sounds very grand when you tell people that you are having a field camera made for you. I certainly felt grand and excited when I placed my order for an Intrepid 4×5 with blue bellows and lens board.
EMULSIVE interview #152: I am Ed Worthington and this is why I shoot film
Wahey! It’s Ed Worthington aka “The 6 Million P Man” (that’s P as in English pence, not Mike, or the other P word).
Film stock review: Fomapan 400 Action / Arista EDU Ultra 400 plus infrared uses
I first tried Foma Bohemia’s films in around 2008 when I moved to the Czech Republic.
EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film
Today we’re sitting down with film photographer Jamelle Bouie.
EMULSIVE interview #43: I am Andrew Bartram and this is why I shoot film
35mm, medium format, instant and Large format; they’re all fair game for today’s interviewee, Andrew Bartram.
EMULSIVE interview #6: I am Antonio Biagiotti and this is why I shoot film
Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii.
