If you have been giving monochrome (aka black and white) film photography a go, you will have realised that film doesn’t quite see things the way your eye does. With modern, panchromatic film stocks that “see” the entire visible light spectrum, the difference isn’t great but can be significant in some areas. In this article, […]
Tag: Lens Filter – Orange #21
Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter
Read the Kodak AEROCHROME review / Prints available here
 
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Panels
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)
Searching for an open door
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Lines – Shot on Silberra ULTIMA 200 (35mm)
Lines
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Top entrance – Shot on Silberra ULTIMA 200 (35mm)
Top entrance
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Barred – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Barred
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Afloat – Shot on Bergger Pancro 400 at EI 200 (120 format)
Afloat Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100
Photography: All the way up – Shot on Bergger Pancro 400 at EI 200 (120 format)
All the way up
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
 
Photography: It’s a jumper – Shot on Bergger Pancro 400 at EI 200 (120 format)
It’s a jumper
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
 
Photography: Bamboo bubbles – Shot on Bergger Pancro 400 at EI 200 (120 format)
Bamboo bubbles Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100
Photography: The way through – Shot on Bergger Pancro 400 at EI 200 (120 format)
The way through Shot on Bergger Pancro 400 at EI 200Black and white negative film in 120 format shot as 6x6Orange #21 filter, Hasselblad Planar F 80 F/2.8Pyrocat-HD 1:2:100
Photography: The gateway – Bergger Pancro (120)
The gateway
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)
Rotation
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)
The narrows
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Osaka infrared – Kodak AEROCHROME III 1443 (120)
Osaka infrared
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Tranquility – Shot on Kodak AEROCHROME III 1443 (35mm)
Tranquility
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review