Using filters with monochrome film
If you have been giving monochrome (aka black and white) film photography a go, you will have realised that film doesn’t quite see things the …
If you have been giving monochrome (aka black and white) film photography a go, you will have realised that film doesn’t quite see things the …
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter
Read the Kodak AEROCHROME review / Prints available here
 
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Panels
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Searching for an open door
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Lines
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Top entrance
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Barred
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Afloat Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad …
Read morePhotography: Afloat – Shot on Bergger Pancro 400 at EI 200 (120 format)
All the way up
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
 
It’s a jumper
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
 
Bamboo bubbles Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, …
Read morePhotography: Bamboo bubbles – Shot on Bergger Pancro 400 at EI 200 (120 format)
The way through Shot on Bergger Pancro 400 at EI 200Black and white negative film in 120 format shot as 6×6Orange #21 filter, Hasselblad Planar …
Read morePhotography: The way through – Shot on Bergger Pancro 400 at EI 200 (120 format)
The gateway
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
Rotation
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
The narrows
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Osaka infrared
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Tranquility
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review