Tag: Film Review
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Film notes: Rollei Superpan 200
Following on from my review and experimentation guide, here’s a quick reference for Rollei Superpan 200.
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Film notes: ILFORD FP4 PLUS 125
Following on from our recent review, here’s a quick reference for ILFORD’s fine detail, old school contrast monster, FP4 PLUS. Here’s what they have to say: “For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
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Experimenting with Rollei Superpan 200 (with bonus infrared)
Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.
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Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and sheet film
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
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Film stock review: LomoChrome Turquoise XR 100-400 – 35mm and 120 format
A lot of film shooters give The Lomographic Society a hard time and I’ve often asked myself why.
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Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
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Film stock review: Rollei Superpan 200 black and white negative film in 35mm and 120 format
Welcome to this review of Rollei Superpan 200 black and white film in 120 format.