Tag: EI 400
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Photography: To the light – Rollei INFRARED 400 (4×5)
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: Bridge end – Shot on Maco Eagle AQS 400 (35mm)
Bridge end Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI 400 Black and white negative film in 135 format
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Photography: Three cats #01 + #02 – Rollei Vario Chrome (35mm)
Three cats #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox.
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Photography: Dried veins #01 + #02 – Rollei Vario Chrome (35mm)
Dried veins #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox.
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Photography: The stars above – Shot on Kodak Portra 400 at EI 400 (120 format)
The stars above Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Salarymen – Kodak Portra 400 (120)
Salarymen Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Triplets #01 + #02 – Shot on Rollei Vario Chrome (35mm format)
Triplets #01 + #02 Shot on Rollei Vario Chrome – EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test Click the images to view lightbox.
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Film stock review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)
Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love. In case you’re new to the
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Photography: Tie a ribbon #01 + #02 – Shot on Rollei Vario Chrome (35mm format)
Tie a ribbon #01 + #02 Shot on Rollei Vario Chrome – EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test Click the images to view lightbox.
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Photography: Three steel #01 + #02 – Shot on Rollei Vario Chrome (35mm format)
Three steel #01 + #02 Shot on Rollei Vario Chrome – EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test Click the images to view lightbox.
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Photography: Fallen bougainvillea #01 + #02 – Rollei Vario Chrome (35mm)
Fallen bougainvillea #01 + #02 Shot on Rollei Vario Chrome at EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test Note: click either image to open a lightbox
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Photography: Fluff monster – Bergger Pancro 400 (120)
Fluff monster Shot on Bergger Pancro 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1-stop
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Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)
Paddy Whacker Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)
Rotation Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: BE&ER MOVIES – Kodak Portra 400VC (120)
BE&ER MOVIES Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6
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Photography: …and it was all yellow – Fuji ETERNA 400 8583 – (35mm)
…and it was all yellow Shot on Fuji ETERNA 400 (8583) at EI 400 Color negative motion picture film in 35mm format
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Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)
I don’t Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Overdeveloped two stops (N+2) Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: No loitering – Fuji Neopan 400 (35mm)
No loitering Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Nice perch – Ilford Delta 100 Professional (35mm)
Nice perch Shot on Ilford Delta 100 Professional at EI 800 Black and white negative film in 35mm format
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