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Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120...

Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6x6 Push processed 5 stops.   Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute

Photography: Alley 35 – Ilford Delta 400 Professional

Alley 35 Ilford Delta 400 Professional shot at EI 12800 Black and white negative film in 120 format shot at 6x6 Push processed 5-stops          

Photography: Thinking it over – Shot on ILFORD HP5 PLUS at...

Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6x6 Push processed 5-stops          

Black and white film high EI shootout part 1: Kodak Tri-X...

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.

Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI...

Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6x4.5 Push processed five stops Read the Kodak Tri-X 400 review here. ...and don't forget about the Tri-X 400 push

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+...

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Film stock review: Kodak TRI-X 400 black and white negative film...

Kodak TRI-X 400 is the film you want if you're looking for a consistently flexible film that's reliable in all kinds of conditions and to be fair, if you're reading this, you're probably already shooting it.