EI 12800


Claw - ILFORD HP5 PLUS shot at EI 12800. Black and white negative film in 120 format shot as 6x6. Push processed 5 stops.

Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)

Claw

ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5 stops.

 

Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute

Claw - ILFORD HP5 PLUS shot at EI 12800. Black and white negative film in 120 format shot as 6x6. Push processed 5 stops.

Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.

Mesh-ing around - Kodak Tri-X 400 shot at ISO12800

Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)

Mesh-ing around
Shot on Kodak Tri-X 400 at EI 12800
Black and white negative film in 120 format shot as 6×4.5
Push processed five stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push

Experiments: Kodak Tri-X 400

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Cover - Kodak Tri-X 400 review

Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats

Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.