Efke


In the shadows - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.

Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)

In the shadows

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions

Longan - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.

Photography: Longan – Shot on Efke KB25 at EI 25 (35mm format)

Longan

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Splash - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)

Spray
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Journey's end - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)

Journey’s end

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial agitation

Old timer - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)

Old timer

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial

Confusion - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.

Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)

Confusion

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Apocalypse Mom

EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film

I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal.
Over to you, Ante!
 
 
Hi Ante, what’s this picture, then?

AP

Monte Sella di Fanes - Mamiya 7ii - Ilford Delta 100 Professional

EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film

We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria

Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains.

Over

Kodak Ektar 100 (two rolls) in Agfa Clipper Special f/6.3 camera. Cross processed in E6

EMULSIVE interview #63: I am Chuck Miller and this is why I shoot film

Today we’ve dragged Chuck Miller away from his day job to tell us a bit about himself and his often seen “splitfilm” photography. In case you’re not familiar with it, I won’t spoil it here.