Efke
Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)
In the shadows
Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2
Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions
Photography: Longan – Shot on Efke KB25 at EI 25 (35mm format)
Longan
Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2
Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)
Spray
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak
Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)
Journey's end
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial agitation
Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)
Old timer
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial
Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)
Confusion
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3
Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak
EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film
I'm very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal.
Over to you, Ante!
Hi Ante, what's this picture, then?
AP
5 Frames… With Efke 50 (EI 50 / 35mm format / Edixa-Mat Reflex) -by Aislinn Chuahiock
Last year when my brother travelled to Vancouver, I gave him $200 to visit my favourite camera seller and told him, "Get me a camera, whatever the seller suggests, he knows me, he knows what I like." My brother came
A paean to ILFORD PAN F PLUS or: there’s something about slow film – by Erik Gould
Sub 100 ISO films...
There's mystique about them; smooth, finely grained, challenging. Something for the true pros and "serious types".
EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film
We're here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria
Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains.
Over
Photography: Budding – Efke R25 (120)
Budding
Shot on Efke R25 at EI 25
Black and white negative in 120 format shot as 6x6
EMULSIVE interview #63: I am Chuck Miller and this is why I shoot film
Today we've dragged Chuck Miller away from his day job to tell us a bit about himself and his often seen "splitfilm" photography. In case you're not familiar with it, I won't spoil it here.
Photography: Wax apple wasp – Efke KB25 (35mm)
Wax apple wasp
Efke KB25 shot at ISO25
Black and white negative film in 35mm format
Film stock review: Efke KB-25 in 35mm format
Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.
