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Home » Efke

Tag: Efke

In the shadows - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.
Posted in35mm format, Photography

Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)

Avatar - EMby EMOctober 5, 2018July 31, 2021

In the shadows

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions

Longan - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.
Posted in35mm format, Photography

Photography: Longan – Shot on Efke KB25 at EI 25 (35mm format)

Avatar - EMby EMOctober 1, 2018July 31, 2021

Longan

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Splash - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format

Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)

Avatar - EMby EMSeptember 19, 2018July 31, 2021

Spray
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Journey's end - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)

Avatar - EMby EMSeptember 14, 2018July 31, 2021

Journey’s end

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial agitation

Old timer - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)

Avatar - EMby EMSeptember 12, 2018July 31, 2021

Old timer

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial

Confusion - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)

Avatar - EMby EMSeptember 10, 2018July 31, 2021

Confusion

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Wasting away - Shot on Efke KB-25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Wasting away – shot on Efke KB-25 (35mm)

Avatar - EMby EMDecember 15, 2017October 16, 2020

 
 

 
 
 

Apocalypse Mom
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film

Avatar - EMby EMNovember 8, 2017October 16, 2020

I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal.
Over to you, Ante!
 
 
Hi Ante, what’s this picture, then?

AP

Efke 50 - Exida-Mat Reflex
Posted in5 Frames...

5 Frames… With Efke 50 (EI 50 / 35mm format / Edixa-Mat Reflex) -by Aislinn Chuahiock

Avatar - Aislinn Chuahiockby Aislinn ChuahiockOctober 2, 2017October 16, 2020

Last year when my brother travelled to Vancouver, I gave him $200 to visit my favourite camera seller and told him, “Get me a camera, whatever the seller suggests, he knows me, he knows what I like.” My brother came

slow_film-3.jpg: Edge printing? We don’t need no edge printing. Pan-F often has rather faint edge lettering and frame numbers. Why? It just does.
Posted inFilm stock reviews, ILFORD Film Stock Reviews, Reviews

A paean to ILFORD PAN F PLUS or: there’s something about slow film

Avatar - Erik Gouldby Erik GouldJune 3, 2016July 3, 2021

Sub 100 ISO films…

There’s mystique about them; smooth, finely grained, challenging. Something for the true pros and “serious types”.

Monte Sella di Fanes - Mamiya 7ii - Ilford Delta 100 Professional
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film

Avatar - EMby EMMay 12, 2016October 16, 2020

We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria

Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains.

Over

Budding - 2016-04-27 - Efke R25 shot at EI 25. Black and white negative in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Budding – Efke R25 (120)

Avatar - EMby EMApril 27, 2016October 16, 2020

Budding

Shot on Efke R25 at EI 25
Black and white negative in 120 format shot as 6×6

 

 

 

 

 

Kodak Ektar 100 (two rolls) in Agfa Clipper Special f/6.3 camera. Cross processed in E6
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #63: I am Chuck Miller and this is why I shoot film

Avatar - EMby EMMarch 8, 2016October 16, 2020

Today we’ve dragged Chuck Miller away from his day job to tell us a bit about himself and his often seen “splitfilm” photography. In case you’re not familiar with it, I won’t spoil it here.

Wax apple wasp - Efke KB25 shot at ISO25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Wax apple wasp – Efke KB25 (35mm)

Avatar - EMby EMJanuary 19, 2016October 16, 2020

Wax apple wasp

Efke KB25 shot at ISO25
Black and white negative film in 35mm format

 

Jonas Lundström - Filmswap
Posted inEfke Film Stock Reviews

Film stock review: Efke KB-25 in 35mm format

Avatar - EMby EMSeptember 9, 2015October 16, 2020

Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.

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EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
Stagnant staircase - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Photography: Stagnant staircase – Ilford Pan F+ (120)
Pensive - Fuji Reala 500D (8592) shot at ISO500.
Photography: Pensive – Fuji Reala 500D 8592 (35mm)
Bric-a-brac - Shot on Kodak EKTACHROME 200 (EPD) at EI 200 - Color reversal (slide) film in 120 format shot as 6x6 - Cross processed
Photography: Bric-a-brac – Shot on Kodak EKTACHROME 200 EPD at EI 200 (120 format)
Flightpath - Kodak Portra 400 shot at ISO200. Color negative film in 120 format shot as 6x6. Planar 80/2.8
Photography: Flightpath – Shot on Kodak Portra 400 at EI 200 (120 format)
Rollei Vario Chrome at EI 400.
Photography: Triplets #01 + #02 – Shot on Rollei Vario Chrome (35mm format)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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  3. Isaac D. Pacheco on Penny for your thoughts: Documenting a unique bike race on medium format filmAugust 14, 2022
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